{"title":"Munich Radio Orchestra","description":"\u003cp\u003eBrowse our collection of Munich Radio Orchestra vinyl records, CDs, box sets, and more at Darkside Records. Shop new and used releases with fresh inventory arriving daily.\u003c\/p\u003e","products":[{"product_id":"munich-radio-orchestra-i-canti","title":"Munich Radio Orchestra- I Canti (Vinyl)","description":"\u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"BR Klassiks","offers":[{"title":"Default Title","offer_id":45005376291037,"sku":"4035719003482","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4281855-3127928.jpg?v=1727249644"},{"product_id":"munich-radio-orchestra-reinecke-orchestral-works-vol-2","title":"Munich Radio Orchestra- Reinecke: Orchestral Works, Vol. 2 (CD)","description":"\u003cp\u003eAnyone interested in Romantic music will inevitably come across the name Carl Reinecke. Countless aspiring composers from Germany and Scandinavia went to him to learn their craft. To those who wanted to make it in the city of the famous Gewandhaus Orchestra, he was an institution. Reinecke the composer enjoyed great success during his lifetime. However, as a preservationist of musical traditions, he was quickly forgotten after his death. The inevitable course of musical development swept him out of the way. This was not due to the quality of his music. Not only does his compositional technique stand up to scrutiny, but also his music as a sonic experience. This is particularly true of his three symphonies, all of which are now available in our catalogue with the release of the powerful Second in C minor\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":45700408672477,"sku":"761203511525","price":19.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4365329-3236417.jpg?v=1731454617"},{"product_id":"munich-radio-orchestra-puccini-messa-di-gloria","title":"Munich Radio Orchestra- Puccini: Messa di Gloria (CD)","description":"\u003cp\u003ePuccini's \"Messa di Gloria\" is one of the most popular settings of the Latin Mass, and is also featured on many concert programmes in the Puccini Year of 2024. The musical quality, energy and freshness of this youthful work ensured it's ever-growing popularity after it's rediscovery in the early 1950s. The composer even went on to quote some of the melodies in his famous operas, notably \"Manon Lescaut\". The \"Messa di Gloria\" was most recently performed on June 27, 2024 in the Herz-Jesu-Kirche in Munich by the Bavarian Radio Chorus and the Munchner Rundfunkorchester under it's chief conductor Ivan Repusic. To mark the 100th anniversary of the death of the great Italian composer, BR-KLASSIK is now presenting the live recording of this outstanding concert on CD.\r\n\r\nGiacomo Puccini wrote his \"Messa a quattro voci con orchestra\" (\"Mass for Four Voices with Orchestra\") between 1878 and 1880 as the final thesis of his music studies in his hometown of Lucca. The first preparatory work was done when he was just eighteen, and the young composer was only 21 when the work was first performed on July 12, 1880. The Mass remained unpublished during his lifetime but became immensely popular after it's rediscovery in the early 1950s. However, in the first printed edition and in later performances it was inaccurately described as a \"Messa di Gloria\", a term that in fact refers to a (usually shorter) composition consisting only of Kyrie and Gloria; Puccini's Mass is in fact a full work, the complete setting of the Latin Ordinary with Kyrie, Gloria, Credo, Sanctus\/Benedictus and Agnus Dei. Puccini had begun his work on the Credo as early as 1878. \r\n\r\nIn the \"Messa di Gloria\", the choir takes centre stage with increasingly beautiful melodies; the solo parts for tenor and baritone are sung by Tomislav Muzek and George Petean. The approximately 45-minute-long work is complemented on this CD by Puccini's orchestral works \"Preludio sinfonico\" and \"Crisantemi\" - the latter in an arrangement for string orchestra by Lucas Drew. (Studio recordings from February 2023.)\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":45700533616861,"sku":"4035719003543","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4371508-3238016.jpg?v=1731456383"},{"product_id":"munich-radio-orchestra-webber-requiem-barber-adagio","title":"Munich Radio Orchestra- Webber: Requiem; Barber: Adagio (CD)","description":"\u003cp\u003eAndrew Lloyd Webber is world-famous as the composer of the musicals Cats and The Phantom of the Opera, but his Requiem has also achieved international acclaim. Winner of a Grammy Award, this grand-sounding masterpiece of contemporary classical music, written in 1985, is dedicated to the memory of Webber's late father. The recording of a concert by the Munchner Rundfunkorchester on June 15, 2023, a tribute to the British composer who celebrated his 75th birthday in March 2023, is now presented on CD by BR-KLASSIK. This live recording from the Herz-Jesu Church in Munich features the Bavarian Radio Chorus accompanied by a select ensemble of soloists, under the baton of principal guest conductor Patrick Hahn.\r\n\r\nThere was much surprise when Andrew Lloyd Webber presented his Requiem to the public in 1985. Although classical composers had repeatedly ventured into the spheres of the so-called \"light muse\", hardly any path led in the other direction - from musicals or operettas to the sublime heights of sacred music. The fact that a composer like Franz von Suppe also wrote a requiem as well as operettas is a rarity. Lloyd Webber's career in the \"serious\" genre, however, was laid in his cradle: his father, William Lloyd Webber (1914-1982), had worked his way up from humble beginnings to become one of the leading church musicians of his day. He encouraged the classical training of his sons Andrew (b. 1948) and Julian (b. 1951), an excellent cellist. Andrew found his niche in the entertainment industry. His song \"Try it and see\", written for the 1969 Eurovision Song Contest, was not yet a hit, but from a pop cantata he developed his first successful piece Joseph and the Amazing Technicolor Dreamcoat (1968), and from the concept album Jesus Christ Superstar, in which \"Try it and see\" also found a new home, he created the rock musical of the same \r\n\r\nname (1971). With Evita (1976), Cats (1981), Starlight Express (1984) and The Phantom of the Opera (1986), Lloyd Webber repeatedly demonstrated his flair for contemporary material that lent itself to a new kind of treatment and appealed to a wide audience. By the mid-1980s, he was the most commercially successful composer of musicals.\r\n\r\nAs Requiem Masses had been abolished in Anglican England since the Reformation, the composer did not have to consider liturgical functionality or ecclesiastical suitability. Verdi had demonstrated that the texts of the Latin Requiem Mass provided an excellent model for grand opera. And Lloyd Webber found inspiration for the lyrical dimension with hit potential in composers such as Gabriel Faure. The texts of the Requiem were rearranged with a sense of dramaturgy. The repeated insertion of the pithy lines \"Requiem aeternam\" and \"Dies irae\" gave them a fundamental, leitmotif-like character. The theatrical potential of the sequence (\"Dies irae\") was expanded, as it had been with Verdi, into a kaleidoscope of human emotions in the face of death and the Last Judgement.\r\n\r\nIn a poll conducted by BBC Radio 4 a few years ago, listeners voted Barber's Adagio for Strings the \"saddest piece in the world\". There is no doubt that it's broad musical lines have an elegiac, almost religious tone - something the composer himself emphasised in the choral version, written as an Agnus Dei. However, the Adagio's association with farewell and mourning was not intended by Barber, who conceived of his work as purely instrumental. It has however been used on repeated occasions to mark the deaths of prominent Americans, including Alfred Einstein, Franklin D. Roosevelt, and John F. Kennedy. As funeral music, the Adagio has also been a feature of several films since the 1980s, and two lines of tradition have emerged. On the one hand, the Adagio is often associated with the death of a main character, as in the final transfiguration of the Elephant Man in David Lynch's film of the same name (1980) or, in a light-hearted alienation of the theme, in The Fabulous World of Amelie (2001), where the heroine imagines her own death being televised. On the other hand, the austere serenity of the Adagio is contrasted with images of violence and suffering, most emphatically in Oliver Stone's anti-war film Platoon (1986). All these traditions came together in the days after September 11, 2001, when Barber's Adagio was played over and over again by American radio and television stations - both as a tribute to the victims of the attacks and as a musical expression of American patriotism. Particularly memorable was the live performance on September 15, 2001, when the American conductor Leonard Slatkin conducted the BBC Symphony Orchestra at the Last Night of the Proms in London, leaving the hushed audience deeply moved. Thanks to it's melancholic yet comforting sound, the Adagio for Strings was often the piece of choice internationally during the Covid-19 pandemic to commemorate the many victims - online or \"open air\", on radio and television, and at concerts and other events.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":45700727472349,"sku":"4035719003529","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4365214-3225935.jpg?v=1731101369"},{"product_id":"munich-radio-orchestra-verdi-complete-ballet-music","title":"Munich Radio Orchestra- Verdi: Complete Ballet Music (CD)","description":"\u003cp\u003eFollowing the conventions of the Paris Opera, Giuseppe Verdi was also obliged to compose ballet music for the French premieres or first performances of his stage works. Between 1847 and 1894, he wrote a total of seven so-called divertissements, some extensive, for Jerusalem, Les vêpres siciliennes, Le trouvere, MacBeth, Don Carlos, Aida and Otello. With catchy melodies, lively, accentuated rhythms, descriptive sound effects and vivid gestures, but above all with incredibly colourful instrumentation, he succeeded in giving new impetus to the ballet music of his day. While the ballet music was generally omitted from productions of Verdi's operas for a long time - with the exception of Aida - it has recently been performed increasingly often and linked to the dramaturgy of the respective work. These beautiful, well-crafted pieces of music should no longer be withheld from the public. On the new double CD from BR-KLASSIK, the Munich Radio Orchestra and it's chief conductor Ivan Repusic present Verdi's complete ballet music.\r\n\r\nIn 19th-century Italian operas, a ballet was not part of the composition but was performed either between the acts or after the opera performance - and was usually a work created by a ballet composer who had little or no connection to the operatic work in question. The strict convention at the Paris Opera, however, was that an extensive dance interlude had to be included as a divertissement in the third act of a grand opera. So if an Italian opera composer wanted to have his works performed in Paris (and who would not, given the international importance of that great opera house in Europe's leading musical metropolis), ballet music had to be provided as well. In the case of works originally written for the Paris Opera, the ballet was included in the French-language libretto from the outset, and ballet music also had to be newly added to all existing works as well. Italian opera composers such as Rossini, Donizetti and Verdi were hardly ever enthusiastic about this French preference for extensive dance interludes in the third act, but they had to bow to convention.\r\n\r\nVerdi's ballet music for Les vêpres siciliennes (Les quatre saisons - The Four Seasons) and Jerusalem was the most extensive he created. In the dance sequence composed for Le trouvere, which utilises musical material from the gypsy scenes, he created a close musical and dramaturgical link with the stage action. He composed extensive ballet music for MacBeth to illustrate the Hecate scenes of Shakespeare's drama. In the third act of Don Carlos, a Ballet de la Reine entitled La Peregrina is performed in Queen Elisabeth's gardens to celebrate the coronation anniversary of the Spanish King Philip the following day. And for the premiere of Aida in Cairo, there were no obligations regarding the design of the dance interludes, which is why Verdi probably came closest to his ideal of linking the dances as directly as possible to the opera's plot. His shortest ballet music, with oriental-sounding dances, was composed for Otello.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":45700745134301,"sku":"4035719003413","price":30.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4368193-3232715.jpg?v=1731101878"},{"product_id":"munich-radio-orchestra-puccini-le-villi","title":"Munich Radio Orchestra- Puccini: Le Villi (CD)","description":"\u003cp\u003eGIACOMO PUCCINI \"LE VILLI\" - Opera ballo in two parts Libretto by Ferdinando Fontana after the story \"Les Willis\" by Alphonse Karr With his first stage work 'Le Villi', the young Giacomo Puccini instantly struck a chord with his contemporaries. His unerring instinct for deeply moving melodies made him a beacon of hope for a new generation of Italian opera composers. In this 'opera ballo' he masterfully set to music the gruesomely beautiful legend of an unfaithful fiance who is killed by the frenzied dance of the \"Willis\" - elemental spirits haunting the Black Forest. On October 13, 2024, a few weeks before the centenary of the composer's death on November 29, the Munich Radio Orchestra presented a concert performance of the two-act version of 'Le Villi' at the city's Prinzregententheater. Anita Hartig, Kang Wang and Boris Pinkhasovich performed the solo parts, the Bavarian Radio Chorus sang, and the Munich Radio Orchestra played under it's chief conductor, Ivan Repusic. To mark the 100th anniversary of the great Italian composer's death, BR-KLASSIK is now presenting the live recording of this extraordinary concert on CD. 'Le Villi' was composed in the autumn of 1883. The 25-year-old Puccini, who had just passed his final exams at the Milan Conservatory, took part in a one-act opera competition organised by the publisher Sonzogno, but came away empty-handed. The premiere of the one-act version on May 31, 1884 at the Teatro dal Verme in Milan was nevertheless a sensational success, largely due to the magical sound of the music and the charming melodies. Admittedly, the dramaturgy of this 'opera ballo' was probably too unusual for it to remain in the stage repertoire for very long. It's sensational success quickly faded and could not be revived even after several reworkings (the two-act version created in 1884, and first performed on December 26 of that year at the Teatro Regio in Turin, forms the basis of this recording). Nevertheless, this first work paved the way for all of Puccini's subsequent operatic triumphs. - Celebrating the Puccini year 2024, the Munich Radio Orchestra conducted by Ivan Repusic presents the composer's first stage work 'Le Villi' in the two-act version from 1884 in Italian - Recording of a recent concert on October 13, 2024 from the Prinzregententheater in Munich - Featuring renowned opera performers Anita Hartig, Kang Wang and Boris Pinkhasovich as well as the Bavarian Radio Chorus\u003c\/p\u003e \u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":46281348481245,"sku":"4035719003598","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4404925-3329250.jpg?v=1741877276"},{"product_id":"munich-radio-orchestra-frano-parac-judita","title":"Munich Radio Orchestra- Frano Parac: Judita (CD)","description":"\u003cp\u003eOn December 1, 2024, Ivan Repusic, chief conductor of the Munich Radio Orchestra, conducted a concert performance of Frano Parac's opera Judita at Munich's Prinzregententheater. This two-act, seven-scene opera is about the siege of a city by brutal foreign invaders. The biblical story of Judith, who liberates her homeland of Bethulia from it's Assyrian occupiers by killing Holofernes, certainly has parallels with Croatian history, particularly that of the city of Split. From the mid-15th century onwards, the country repeatedly fought against incursions by the Ottoman Empire - and Split in Dalmatia was particularly vulnerable to the attacks of the Turks, who advanced to it's gates. The poet Marko Marulic (1450-1524) alludes to these events in allegorical form in his epic Judita, completed in 1501. One of the earliest poetic works in the Croatian language, it established Marulic's reputation as the father of Croatian literature. To celebrate the 550th anniversary of the author's birth in 2000, and in commemoration of the 1, 700th anniversary of the foundation of Split, Frano Parac, a composer born in Split in 1948, chose the epic Judita as the basis for his first opera. It premiered on July 14, 2000 at the Croatian National Theatre in Split. The live recording made in December 2023 is now being released on CD by BR-KLASSIK, supplemented by Dance of the Baroness (Ples Barunice) from Parac's 1985 dramatic ballet Carmina Krležiana, based on texts by the expressionist-modernist writer Miroslav Krleža. First published in 1990 in a piano version, the dance is a rewarding and effective piece for pianists - and it's orchestral version is equally impressive.\u003c\/p\u003e \u003cp\u003e UPC \u0026gt; 4035719003574 \u003c\/p\u003e\n\u003cp\u003e Format \u0026gt; New CD \u003c\/p\u003e\n\u003cp\u003e Label \u0026gt; BR Klassiks \u003c\/p\u003e\n\u003cp\u003e Release Date \u0026gt; Release Date: 10.10.25 \u003c\/p\u003e\n\n\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":46644979073245,"sku":"4035719003574","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4445213-3422586.jpg?v=1754496276"},{"product_id":"munich-radio-orchestra-sweeney-todd","title":"Munich Radio Orchestra- Sweeney Todd (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweeney Todd: Act I: Prologue: The Ballad Of Sweeney Todd (Todd, Company)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: No Place Like London (Anthony, Todd, Beggar Woman)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: The Worst Pies In London (Mrs. Lovett)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Poor Thing (Mrs. Lovett, Todd)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: My Friends (Mrs. Lovett, Todd)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Green Finch And Linnet Bird (Johanna)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Ah, Miss (Anthony, Johanna, Beggar Woman)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Johanna (Anthony, Judge, Johanna)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Pirelli\u0026amp;#39;s Miracle Elixir (Tobias, Crowd, Todd, Mrs. Lovett) - Pirelli\u0026amp;#39;s Entrance (Pirelli)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: The Contest (Beadle, Pirelli, Mrs. Lovett, Tobias, Todd) - The Ballad Of Sweeney Todd (Company)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Johanna (Judge)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Wait (Beggar Woman, Mrs. Lovett, Todd, Anthony, Pirelli)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Pirelli\u0026amp;#39;s Death (Pirelli)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: The Ballad Of Sweeney Todd (3 Tenors)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Kiss Me (Part I) (Johanna, Anthony)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Ladies In Their Sensitivities (Beadle, Judge)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Kiss Me (Part II) (Beadle, Johanna, Anthony, Judge)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Pretty Woman (Todd, Judge, Anthony)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: Epiphany (Mrs. Lovett, Todd)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act I: A Little Priest (Mrs. Lovett, Todd)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: God, That\u0026amp;#39;s Good! (Tobias, Mrs. Lovett, Todd, Company)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Joahnna (Anthony, Todd, Johanna, Beggar Woman) - Sequence (Mrs. Lovett)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: By The Sea (Mrs. Lovett, Todd, Anthony)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Wigmaker Sequence (Todd, Mrs. Lovett, Anthony, Quintet)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: The Letter (Quintet, Tobias, Mrs. Lovett)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Not While I\u0026amp;#39;m Around (Tobias, Mrs. Lovett)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Parlor Songs (Beadle, Mrs. Lovett, Tobias)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Fogg\u0026amp;#39;s Asylum - Fogg\u0026amp;#39;s Passacaglia (Company)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: City On Fire (Lunatics, Johanna)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Searching (Mrs. Lovett, Todd, Lunatics, Beggar Woman, Anthony)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Judge\u0026amp;#39;s Return (Todd, Judge)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Final Scene (Part I) (Todd, Mrs. Lovett, Tobias)\u003c\/li\u003e\n\u003cli\u003eSweeney Todd: Act II: Final Scene (Part II) (Company)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 4035719003161\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Br Klassiks\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46982277791965,"sku":"4035719003161","price":30.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2109104.jpg?v=1762923155"},{"product_id":"getty-schukoff-munich-radio-orchestra-fisch-little-match-girl","title":"Getty \/ Schukoff \/ Munich Radio Orchestra \/ Fisch- Little Match Girl (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Prayer For My Daughter\u003c\/li\u003e\n\u003cli\u003ePoor Peter: No. 1. Where Is My Lady\u003c\/li\u003e\n\u003cli\u003ePoor Peter: No. 2. Tune The Fiddle\u003c\/li\u003e\n\u003cli\u003ePoor Peter: No. 3. Ballad Of Poor Peter\u003c\/li\u003e\n\u003cli\u003eThe Little Match Girl\u003c\/li\u003e\n\u003cli\u003eJoan And The Bells: I. Judgment\u003c\/li\u003e\n\u003cli\u003eJoan And The Bells: II. Joan In Her Chamber\u003c\/li\u003e\n\u003cli\u003eJoan And The Bells: III. The Square At Rouen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 827949048067\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Pentatone\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46982487376093,"sku":"827949048067","price":22.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2821903-2705882.jpg?v=1762923549"},{"product_id":"schubert-appl-munich-radio-orchestra-lieder-with-orchestra","title":"Schubert \/ Appl \/ Munich Radio Orchestra- Lieder With Orchestra (CD)","description":"\u003cp\u003eIme and again, composers - well-known and lesser-known - have arranged Franz Schubert's piano songs for orchestra. These versions are not in any way intended to cast doubt upon the powerful quality of the originals, they merely place them in a different light, and\/or attempt to make them easier to perform on a larger scale - when an art song cannot be performed in an intimate salon or chamber music hall, it can also make an impact in a large concert hall. Baritone Benjamin Appl has compiled nineteen such arrangements from the 19th and 20th centuries for this new CD from BR-KLASSIK. T he Münchner Rundfunkorchester, conducted by Oscar Jockel, provides accompaniment that is subtle and in keeping with the work. \"To my ear, it is often quite insulting, in a giant hall and after an orchestral number, to have to listen to a singer performing lieder to a spindly piano accompaniment!\" Max Reger scolded, and he went on to take appropriate action by orchestrating several piano songs, including thirteen by Schubert. Many famous composers were not above taking on the role of arranger. Indeed, they even saw an artistic challenge in \"staging\" the Lied in a new and colourful way using the possibilities of the orchestra - and without altering the musical substance in the process. The versions of Schubert's \"An die Musik\", \"I'm Abendrot\", \"Nacht und Träume\", \"Prometheus\" and \"Erlkönig\" recorded here are by Max Reger; Anton Webern created those for \"Du bist die Ruh\", \"Tränenregen\" or \"Der Wegweiser\"; Johannes Brahms arranged \"Geheimes\", Jacques Offenbach the \"Ständchen\", and Benjamin Britten \"Die Forelle\". Further arrangements are by conductor Felix Mottl (\"Der Tod und das Mädchen\"), lied accompanist Alexander Schmalcz (\"Abendstern\", \"An Silvia\") and composer Kurt Gillmann (\"Ganymed\"). The album is rounded off by the first recording of Johann von Herbeck's orchestrations of Schubert's dances, thus establishing a connection between folk music and Schubert's art songs.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAbendstern, D 806\u003c\/li\u003e\n\u003cli\u003eRosamunde, D 797~Romanze\u003c\/li\u003e\n\u003cli\u003eWork(s)~Deutsche Tänze Series 1: Einleitung - Tanz 1 - Tanz 2\u003c\/li\u003e\n\u003cli\u003eGeheimes, D 719\u003c\/li\u003e\n\u003cli\u003eDu bist die Ruh, D 776\u003c\/li\u003e\n\u003cli\u003eTränenregen, D 795\u003c\/li\u003e\n\u003cli\u003eWork(s)~Deutsche Tänze Series 1: Tanz III - Tanz IV - Tanz V\u003c\/li\u003e\n\u003cli\u003eGanymed, D 544\u003c\/li\u003e\n\u003cli\u003eTod un das Mädchen, D 531\u003c\/li\u003e\n\u003cli\u003eGruppe aus dem Tartarus, D 583\u003c\/li\u003e\n\u003cli\u003eIhr Bild, D 957\u003c\/li\u003e\n\u003cli\u003eForelle, D 550\u003c\/li\u003e\n\u003cli\u003eWork(s)~Deutsche Tänze Series 1: Tanz VI - Tanz VII - Tanz VIII\u003c\/li\u003e\n\u003cli\u003eIm Abendrot, D 799\u003c\/li\u003e\n\u003cli\u003eAn die Musik, D 547\u003c\/li\u003e\n\u003cli\u003eAn Sylvia, D 891\u003c\/li\u003e\n\u003cli\u003eWegweiser, D 911\u003c\/li\u003e\n\u003cli\u003eNacht und Träume, D 827\u003c\/li\u003e\n\u003cli\u003eStändchen, D 957\u003c\/li\u003e\n\u003cli\u003eWork(s)~Deutsche Tänze Series 1: Tanz IX - Tanz X\u003c\/li\u003e\n\u003cli\u003ePrometheus, D 674\u003c\/li\u003e\n\u003cli\u003eLitanei auf des Fest Allerseelen, D 343\u003c\/li\u003e\n\u003cli\u003eErlkönig, D 328\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 4035719003468\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Br Klassiks\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46982513131741,"sku":"4035719003468","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4246173-3141335.jpg?v=1762923597"},{"product_id":"verdi-solera-munich-radio-orchestra-i-lombardi","title":"Verdi \/ Solera \/ Munich Radio Orchestra- I Lombardi (CD)","description":"\u003cp\u003eIvan Repusic made his debut as principal conductor of the Munich Radio Orchestra in September 2017 with Giuseppe Verdi's \"Luisa Miller\". It was followed by \"I due Foscari\" in October 2018 and \"Attila\" in October 2019 (the complete recordings have already been released by BR-KLASSIK on CD 900323, 900328 and 900330). His successful cycle of early masterpieces by the Italian opera composer continues with the recent concert performance on April 23, 2023 of Verdi's stage work \"I Lombardi\" - also at the Prinzregententheater in Munich. Authentic fluidity and vocal splendour are provided here once again by outstanding performers and the Bavarian Radio Chorus. The Munich Radio Orchestra plays under the direction of Ivan Repusic. - This highlight of Munich's musical life from the early part of this year has now been released by BR-KLASSIK as a double CD. Verdi's early masterpiece had it's world premiere on February 11, 1843 at Milan's Teatro alla Scala. This marked another great success for the young composer, and the work was again placed on the La Scala programme for the opening of the 1844\/45 season. \"I Lombardi alla prima crociata\" (The Lombards on the First Crusade) quickly became popular in Europe, and in 1847 the opera was performed in New York for the first time. For performances at the Paris Opera, Verdi reworked \"I Lombardi\" into a French \"Grand Opéra\", with ballet music and several newly composed sections. This revised version was premiered under the title \"Jérusalem\" on November 26, 1847. Today, the opera is rarely heard or performed. This concert performance (in the original Italian) at Munich's Prinzregententheater brought unanimous cheers from the audience. Ivan Repusic's commitment to Verdi's early operas deserves to be held in high regard, and this performance of \"I Lombardi\" is also a truly theatrical Verdi work: vital, powerful, fiery, and very exciting\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePreludio [02:11]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 1: Oh Nobile Esempio! (Chorus) [03:43]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 2: Qui Nel Luogo Santo E Pio (Pagano, Arvino, Chorus, Viclinda, Griselda) [00:56]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 2: T'assale Un Tremito! (Griselda, Viclinda, Arvino, Pagano, Pirro, Chorus) [03:17]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 2: Or S' Ascolti Il Voler Cittadino! (A Prior, Arvino, Viclinda, Giselda, Pirro, Choru... [03:03]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 3: A Te Nell'ora Infausta (Chorus) [02:37]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 4: Vergini! (Pagano, Chorus) [01:19]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 4: Sciagurata! (Pagano, Pirro) - Scene 5: Di Perigli E Piena L'opra (Pagano, Chorus) [04:00]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 5: O Speranza Di Vendetta (Pagano, Pirro, Chorus) [02:16]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 6: Tutta Tremante Ancor L'anima Io Sento (Viclinda, Arvino, Giselda) [02:24]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 6: Salve Maria (Giselda) [03:32]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 7: Vieni! (Pirro, Pagano) - Scene 8: Ma Gli Sgherri (Pirro, Viclinda, Pagano) - Scene... [01:55]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 9: Mostro D'averno Orrible (Giselda, Viclinda, Arvino, Pagano, Pirro, Chorus) [03:00]\u003c\/li\u003e\n\u003cli\u003eAct I Scene 9: Parricida! (Arvino, Giselda, Pagano, Chorus) [02:28]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 1: E Dunque Vero? (Chorus, Acciano) [02:22]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 2: O Madre Mia, Che Fa Colei? (Oronte, Sofia) [01:10]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 2: La Mia Letizia Infondere (Oronte, Sofia) [02:28]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 2: Come Poteva Un Angelo (Oronte, Sofia) [03:45]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 3: E Ancor Silenzio! (Pagano) - Scene 4: Oh Ferma! (Pirro, Pagano) - Scene 5: Al Tuo... [07:39]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 5: Sei Tu L'uom Delia Caverna? (Arvino, Pagano) [01:54]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 5: Stolto Allhà ! (Arvino, Pagano, Chorus) [01:45]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 6: La Bella Straniera, Che L'alme Innamora! (Chorus) [02:48]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 7: Oh Madre, Del Cielo (Giselda, Chorus) [04:15]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 8: Chi Ne Salva Dal Barbaro (Chorus, Giselda, Sofia) - Scene 9: Mio Padre! (Giselda,... [01:13]\u003c\/li\u003e\n\u003cli\u003eAct II Scene 9: No! Giusta Causa (Giselda, Arvino, Chorus, Pagano, Sofia) [04:08]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 1: Gerusalem (Chorus) [05:57]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 2: Dove Sola M'inoltro? (Giselda) - Scene 3: Giselda! (Oronte, Giselda) [05:03]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 3: O Belle, a Questa Misera (Giselda, Oronte, Chorus) [04:40]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 4: Che Vid'io Mai? (Arvino) - Scene 5: Qual Nuova? (Arvino, Chorus) [03:18]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 5: Preludio [04:08]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 6: Qui Posa Il Fianco (Giselda, Oronte) - Scene 7: Chi Accusa Iddio? (Pagano, Gisel... [04:19]\u003c\/li\u003e\n\u003cli\u003eAct III Scene 7: Qual Voluttà Trascorrere (Oronte, Giselda, Pagano) [03:43]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 1: Componi, O Cara Vergine (Chorus, Giselda, Oronte) [05:40]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 1: Qual Prodigio! (Giselda) [03:13]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 2: O Signore, Dal Tetto Natio (Chorus) [03:52]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 2: Al Siloe! Al Siloe! (Giselda, Arvino, Pagano) - Scene 3: Il Cielo (Giselda, Choru... [04:07]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 4: Questa E Mia Tenda (Arvino, Giselda, Pagano) [02:33]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 4: Un Breve Istante (Pagano, Giselda, Arvino) [01:53]\u003c\/li\u003e\n\u003cli\u003eAct IV Scene 4: Last Scene: Te Lodiamo, Gran Dio Di Vittoria (Chorus, Pagano, Giselda, Arvino) [02:52]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 4035719003512\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Br Klassiks\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46982698434781,"sku":"4035719003512","price":36.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4253150-3141338.jpg?v=1762923957"},{"product_id":"lucia-aliberti-gardelli-munich-radio-orchestra-famous-opera-arias","title":"Lucia Aliberti \/ Gardelli \/ Munich Radio Orchestra- Famous Opera Arias (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Sonnambula: La Sonnambula, Act II: Ah, Non Credea Mirarti\u003c\/li\u003e\n\u003cli\u003eI Puritani, Act II: I Puritani, Act II: Qui La Voce Sua Soave\u003c\/li\u003e\n\u003cli\u003eIl Pirata: Il Pirata, Act II Scene 10: Col Sorriso D\u0026amp;#39;innocenza\u003c\/li\u003e\n\u003cli\u003eLucia Di Lammermoor: Lucia Di Lammermoor, Act I: Regnava Nel Silenzio \u0026amp;hellip;\u003c\/li\u003e\n\u003cli\u003eLinda Di Chamounix: Linda Di Chamounix, Act I: O Luce Di Quest\u0026amp;#39;anima\u003c\/li\u003e\n\u003cli\u003eLucrezia Borgia: Lucrezia Borgia, Prologue: Com\u0026amp;#39;e Bello! Quale Incanto\u003c\/li\u003e\n\u003cli\u003eDon Pasquale: Don Pasquale, Act III: So Anch\u0026amp;#39;io La Virtu Magica\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46983857995997,"sku":"4011790119120","price":21.62,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2056762.jpg?v=1762926219"},{"product_id":"wolf-ferrari-rasmussen-munich-radio-orchestra-die-neugierigen-frauen","title":"Wolf-Ferrari \/ Rasmussen \/ Munich Radio Orchestra- Die Neugierigen Frauen (CD)","description":"\u003cp\u003ePremiering in Munich in 1903, Le donne curiose numbered among the greatest and earliest successes of the German-Italian composer Ermanno Wolf-Ferrari. No Wagnerian pathos or turn-of-the-century bombast here: Wolf-Ferrari's merry work is based on a Carlo Goldoni comedy in the spirit of a newly discovered rococo. Le donne curiose formed the basis of his world renown as a composer whose dramatic talent was always overshadowed by the subtle humor of his buffo operas. Ulf Schirmer again presents a convincing case on his behalf (previous release: Wolf-Ferrari, Orchestral Works: cpo 777 567-2).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOverture\u003c\/li\u003e\n\u003cli\u003eDes Sokrates Dilemma Ist Sonnenklar!\u003c\/li\u003e\n\u003cli\u003eOh, Gruss Euch Gott, Liebe Jungens!\u003c\/li\u003e\n\u003cli\u003eHa! Ha! Sind Das Schelme! - Aber Kreuzbrave Kerle! Ja, Mir Geht Bei Den Schlingeln\u003c\/li\u003e\n\u003cli\u003eHa, Ha, Ein Narrischer Kerl, Ubrigens Hoff' Ich\u003c\/li\u003e\n\u003cli\u003eSchon Hat's Mittag Geschlagen\u003c\/li\u003e\n\u003cli\u003eIst's Erlaubt?... O, Die Signora Eleonora\u003c\/li\u003e\n\u003cli\u003eAh, Sustrissime! Ich Weiss Alles, Ja Alles\u003c\/li\u003e\n\u003cli\u003eAch, Colombina, Rette Mich! 1\u003c\/li\u003e\n\u003cli\u003eZeit Ist's, Dass Ich Wieder Gehe 1\u003c\/li\u003e\n\u003cli\u003eSignora, Ich Bin Euer Diener! 1\u003c\/li\u003e\n\u003cli\u003eO, Haltet Ein, Ich Bitte Euch! 1\u003c\/li\u003e\n\u003cli\u003eEi Bravo! 1\u003c\/li\u003e\n\u003cli\u003eIst Mein Mann Doch Ein Scheusal! 1\u003c\/li\u003e\n\u003cli\u003eIst Der Diener Zuruck? 1\u003c\/li\u003e\n\u003cli\u003eAch, Gnadige Herrin 1\u003c\/li\u003e\n\u003cli\u003eJa, Meine Tochter Ist Wie Die Anderen Weiber 1\u003c\/li\u003e\n\u003cli\u003eHier Der Kaffee! 1\u003c\/li\u003e\n\u003cli\u003eNur Fort Von Hier, Nur Fort - Florindo! 2\u003c\/li\u003e\n\u003cli\u003eSie Wirft Mir Meine Neugierde Vor 2\u003c\/li\u003e\n\u003cli\u003eO, Rosaura! - Was? Ihr Hier? 2\u003c\/li\u003e\n\u003cli\u003e's Ist Beinah' Nacht, Und Noch Saumt Arlecchin 2\u003c\/li\u003e\n\u003cli\u003eMein Herr Patron, Seid Ihr's? 2\u003c\/li\u003e\n\u003cli\u003eDas Ist Die Ture! 2\u003c\/li\u003e\n\u003cli\u003eEi, Und Da Sagen Sie, Es Kamen Keine Frauen 2\u003c\/li\u003e\n\u003cli\u003eIch Bin Geschwellt Von Mut, Doch Zittr' Ich Ein Klein Wenig 2\u003c\/li\u003e\n\u003cli\u003eWas Soll Ich Sagen? Einen Finger Gabe Ich 2\u003c\/li\u003e\n\u003cli\u003eAmicizi 2\u003c\/li\u003e\n\u003cli\u003eWas Wollt Ihr Hier?, Wo Habt Ihr Eure Schlussel? 3\u003c\/li\u003e\n\u003cli\u003eWas Fur Seltsame Dinge Gehen Da Vor? 3\u003c\/li\u003e\n\u003cli\u003eNa, Also? Geh' Weiter, Dummian! 3\u003c\/li\u003e\n\u003cli\u003eFlorindo! Zu Viel Ist's, Mir Schwindet Der Sinn 3\u003c\/li\u003e\n\u003cli\u003eZu Hilfe! - Was War's? Was Ist Denn Los? 3\u003c\/li\u003e\n\u003cli\u003eUnd Grad' Aus Diesem Grund Sei Mir Gestattet 3\u003c\/li\u003e\n\u003cli\u003eNa Habt Ihr Gesehen 3\u003c\/li\u003e\n\u003cli\u003ePSSST... Holla! Was Treibt Ihr Hier? 3\u003c\/li\u003e\n\u003cli\u003eFinale: Heiliges Rhinozeros! Was Soll Die Katastrophe?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 761203773923\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Cpo Records\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984352334045,"sku":"761203773923","price":38.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2892725.jpg?v=1762927190"},{"product_id":"eisler-kunneke-munich-radio-orchestra-1929-tempo-tanz-und-technik","title":"Eisler \/ Kunneke \/ Munich Radio Orchestra- 1929 - Tempo Tanz Und Technik (CD)","description":"\u003cp\u003eOctober 29, 1923 was a date steeped in history. In the middle of a year of political and economic crises, the age of public radio in Germany was ushered in with the first broadcast of the \"Berliner Funkstunde\" (Berlin Radio Hour) from the attic of an office building on Potsdamer Platz. - Radio offered entirely new possibilities for the production and reception of music. The two compositions on this CD not only benefited from these developments but also played an active role in shaping them. Eduard Künneke's five-movement Concerto grosso \"Tänzerische Suite\" op. 26 for jazz band and large orchestra was the sixth commission the composer received from the Berliner Funk-Stunde. It's five movements corresponded to modern dances: the Overture is a Foxtrot, the Andante a Blues, the Intermezzo a Tango, the valse mélancolique a Boston Waltz and the Finale a Foxtrot again. The premiere took place under Künneke's baton on September 8, 1929 in Hall 5 at the Berlin Funkausstellung. The Berlin Funk Orchestra played together with Dajos Béla's renowned jazz band. The suite was celebrated as a milestone in contemporary radio music and soon became part of the regular concert programme. Even the critics were enthusiastic: \"Künneke skilfully combines the character of the old suite with modern means. Modern dances are stylised vividly with exciting rhythms and rich tone colours, and with delightful use of prominent solo instruments such as the violin, the saxophone, etc. It all sounds very good on the radio: this is pleasing, imaginative, symphonic jazz at the best level. \" Hanns Eisler's cantata \"Tempo der Zeit\" (Tempo of the Times) op. 16 for soloists, narrator, choir, winds and percussion was written in 1929 as a commission for the Donaueschingen Festival (known as \"Deutsche Kammermusik Baden-Baden\" from 1927 to 1929). The premiere took place in Baden-Baden on July 28 as part of the concert \"Original Music for Radio\", with the Frankfurt Radio Orchestra conducted by Hermann Scherchen. The libretto was written by the popular lyricist Robert Gilbert (\"Ein Freund, ein guter Freund\") under the pseudonym of David Weber. With it's pure wind ensemble and percussion, \"Tempo der Zeit\" captures the typical Songspiel sound of the time. The fact that Eisler used the \"modern\" medium of radio, of all things, to get his fundamental criticism of blind enthusiasm for technology across to the people is an ironical aspect of the work's composition and reception history. This CD is part of the special programme focus on the topic \"The Wild Sound of the Twenties\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOverture: Tempo des F oxtrot [06:52\u003c\/li\u003e\n\u003cli\u003eBlues: Andante [05:15]\u003c\/li\u003e\n\u003cli\u003eIntermezzo: Vivace [04:02]\u003c\/li\u003e\n\u003cli\u003eValse Boston: Valse mélancolique [05:48]\u003c\/li\u003e\n\u003cli\u003eFinale: Foxtrot [06:48]\u003c\/li\u003e\n\u003cli\u003eMeine Damen und Herren! (Referee) [00:25]\u003c\/li\u003e\n\u003cli\u003eHallo! Hallo! Hallo! (Chorus) [01:27]\u003c\/li\u003e\n\u003cli\u003eSie hören jetzt den Gesang an den Fortschritt der Technik\u003c\/li\u003e\n\u003cli\u003e(Referee) [00:15]\u003c\/li\u003e\n\u003cli\u003eAria: Wenn die stampfenden Maschinen (Bass) [02:24]\u003c\/li\u003e\n\u003cli\u003eDas ist alles sehr schön (Re feree) [00:25]\u003c\/li\u003e\n\u003cli\u003eRecitative and Chorale: Und wenn die Luftschiffe - Ah! Liebe\u003c\/li\u003e\n\u003cli\u003eKameraden! (Alto, Chorus) [02:37]\u003c\/li\u003e\n\u003cli\u003eInterlude [01:16]\u003c\/li\u003e\n\u003cli\u003eJa, das Tempo der Zeit kostet Geld (Alto, Bass, Chorus) [08:06]\u003c\/li\u003e\n\u003cli\u003eSie alle sind Mithelfer am Tempo der Zeit (Referee) [00:28]\u003c\/li\u003e\n\u003cli\u003eFinale: Hallo! Hallo! Hallo! (Chorus) [01:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984393326813,"sku":"4035719003505","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4253149-3141337.jpg?v=1762927271"},{"product_id":"kwak-munich-radio-orchestra-guritzki-concertos-solos-for-oboe-2-works-by-strauss","title":"Kwak \/ Munich Radio Orchestra \/ Guritzki- Concertos \u0026 Solos for Oboe 2: Works By Strauss (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Giocoso - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester\u003c\/li\u003e\n\u003cli\u003eAndante Tranquillo - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester\u003c\/li\u003e\n\u003cli\u003eRondo: Allegro Vivo - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester\u003c\/li\u003e\n\u003cli\u003eAndante - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia\u003c\/li\u003e\n\u003cli\u003eViertel = Ca. 138 - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia\u003c\/li\u003e\n\u003cli\u003eCon Tristezza - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia\u003c\/li\u003e\n\u003cli\u003eViertel = Ca. 72 - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia\u003c\/li\u003e\n\u003cli\u003eAndante - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia\u003c\/li\u003e\n\u003cli\u003eViertel = Ca. 56 - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia 1\u003c\/li\u003e\n\u003cli\u003eViertel = Ca. 58 - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia 1\u003c\/li\u003e\n\u003cli\u003ePostlude - Yeon-Hee Kwak\/David Pia - Yeon-Hee Kwak\/David Pia 1\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in C minor, Op. 35 - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester 1\u003c\/li\u003e\n\u003cli\u003eAndante - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester 1\u003c\/li\u003e\n\u003cli\u003eVivace - Yeon-Hee Kwak\/Munchner Rundfunkorchester - Yeon-Hee Kwak\/Munchner Rundfunkorchester\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984723595485,"sku":"760623159867","price":25.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/1974880.jpg?v=1762927918"},{"product_id":"munich-radio-orchestra-romeo-und-julia","title":"Munich Radio Orchestra- Romeo Und Julia (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 1: Hie Montague! Hinter Der Szene (Montagues, Capulets, Graf Capulet, Furst Escalus)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 1: Da Kommt Mein Guter Herr! Wie Froh Bin Ich, Er War Nicht Bei Dem Streit (Balthasar, Romeo, Monta\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 1: Ach Liebste(R), Lasst Uns Eilen, Es Flieht Die Zeit (Grafin Capulet)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 2: Amme! Geh\u0026amp;#39; Beiseit! Wir Mussen Heimlich Sprechen (Grafin Capulet, Julia, Amme)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 2: Ach Liebste(R), Lasst Uns Eilen, Es Flieht Die Zeit (Paare)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 2: Entweihet Meine Hand Verwegen Dich, O Heilgenbild (Romeo, Julia)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 2: Immer Im Hintergrund Nein, Liebe Herren, Denkt Doch Ans Weggehn Nicht! (Graf Capulet, Romeo, Amm\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 2: So Einz\u0026amp;#39;ge Lieb\u0026amp;#39; Aus Einz\u0026amp;#39;gem Hass Entbrannt \u0026amp;hellip; (Julia, Romeo)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 3: Fee Mab \u0026amp;ndash; Fee Mab (Paare, Romeo)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act I Scene 3: Kann Ich Von Hinnen, Da Mein Herz Hier Bleibt? (Romeo, Julia, Knabenstimmen)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 4: Tritt Aus Der Einsiedelei Den Ganzen Korb Hat Du Mir Vollgepfluckt! (Pater Lorenzo, Romeo, Juli\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 4: Mein Vater! (Pater Lorenzo, Romeo, Julia, Amme)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 4: Interlude\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 5: Willst Du Schon Gehn? Der Tag Ist Ja Noch Fern \u0026amp;hellip; (Julia, Romeo, Beide, Amme)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 5: Pater Lorenzo? Tretet Ein! Komm, Wein Mit Mir! (Julia, Pater Lorenzo)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 5: Allein Ich Reise Weit Von Meiner Sonne Weg (Julia, Amme, Romeo, Chorus)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 6: Dein Traufest Wandelt Sich Zum Trauerfest Fur Dich (Romeo, Chorus)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 6: O Mein Weib, Der Tod Hat \u0026amp;Uuml;ber Deine Schonheit (Romeo)\u003c\/li\u003e\n\u003cli\u003eRomeo And Julia: Act II Scene 6: Wo Ist Lorenzo? Ich Wei\u0026amp;szlig; Recht Gut Noch (Julia)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46985650045149,"sku":"7613205379173","price":33.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2548069.jpg?v=1762929639"},{"product_id":"j-bach-s-donath-munich-radio-orchestra-christmas-concert","title":"J Bach .S. \/ Donath \/ Munich Radio Orchestra- Christmas Concert (CD)","description":"\u003cp\u003eRecorded here is something which normally is evanescent over the airwaves or in the Philharmonie am Gasteig: the pre-Christmas evening in the series of Munich Sunday concerts, featuring Helen Donath as one of the most distinguished lyric sopranos of her times, the boys' choir Regensburg Cathedral Sparrows and the Munich Radio Orchestra under the musical direction of Kurt Eichhorn. On this special evening, excerpts from Händels Messias could be heard, followed by Arcangelo Corelli's Concerto grosso Op. 6,8 Concerto per la notte di natale, Mozart's Motette Ave verum corpus KV 618 and the Laudate Dominum from the Vesperae solennes de confessore KV 339, Christmas carols performed a cappella by the Regensburg Cathedral Sparrows (dating mostly from the 17th and 18th century) and Mozart's Exsultate, jubilate KV 165.\u003c\/p\u003e \u003cp\u003eUPC \u0026gt; 4011790446011\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Orfeo\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986280108253,"sku":"4011790446011","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4129134-2896357.jpg?v=1762930735"},{"product_id":"munich-radio-orchestra-das-fuerstenkind","title":"Munich Radio Orchestra- Das Fuerstenkind (CD)","description":"\u003cp\u003eDas Fuerstenkind (The Prince's Child) has always been an \"insider's tip\" in Leh+ír's oeuvre, and the composer himself regarded this robbers' tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDas Furstenkind: I. Introduction: Prelude\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: II. Introduction: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: III. Introduction: Papa, Ich Bin Verliebt (Photini, Bill Harris)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: IV. Introduction: Mutter Ging Schlafen (Stavros, Christodulos, Photini)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: V. Introduction: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: VI. Introduction: Pallikarenlied (Lange, Joahre, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: VII. Introduction: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: VIII. Introduction: Finale I (Photini, Nydia, Harris, Perikles, Christodulos, Barley, Doktor, Chorus)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: IX. Introduction: Rauber-Marsch\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: X. Act I: Ensemble (Stavros, Spiro, Phalatis, Koltzida, Tamburis, Chorus)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XI. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XII. Act I: Kindchen, Sei Hubsch Brav (Mary-Ann)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XIII. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XIV. Act I: Ich Diene So Gerne Den Damen (Mary-Ann, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XV. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XVI. Act I: Szene (Mary-Ann, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XVII. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XVIII. Act I: Ensemble (Mary-Ann, Gwendolyne, Doktor, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XIV. Act I: Wusstest Du, Madchen, Wie Wohl Das Tut (Mary-Ann, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XX. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXI. Act I: Ensemble (Stavros, Prikles, Rauber, Gendarmen)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXII. Act I: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXIII. Act I: Finale II (Mary-Ann, Photini, Gwendolyne, Harris, Stavros, Spiro, Doktor, Tamburis)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXIV. Act I: Resignation\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXV. Act II: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXVI. Act II: Quintet: Walzer, Wer Hat Dich Wohl Erdacht? (Mary-Ann, Photini, Gwendolyne, Harris, Doktor)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXVII. Act II: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXVIII. Act II: Jung Und Alt (Mary-Ann, Stavros)\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXIX. Act II: Dialog\u003c\/li\u003e\n\u003cli\u003eDas Furstenkind: XXX. Act II: Melodram\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986334240989,"sku":"761203768028","price":38.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2248404.jpg?v=1762930832"},{"product_id":"j-bach-s-mendelssohn-munich-radio-orchestra-12-hoerbiografien-grosser-komponisten-von-joerg","title":"J Bach .S. \/ Mendelssohn \/ Munich Radio Orchestra- 12 Hoerbiografien Grosser Komponisten Von Joerg (CD)","description":"\u003cp\u003eThe lavishly produced audio biographies in the BR-KLASSIK WISSEN series tell the life stories of famous composers in an entertaining and amusing way. Who were Mozart, Mahler, and Fanny and Felix Mendelssohn? In what period were their works written? And how did their lives influence their music? This box set contains the twelve audio biographies published to date by the music publicist Jörg Handstein. Great actors and actresses bring the past to life: Matthias Brandt, Martina Gedeck, Gert Heidenreich, Brigitte Hobmeier, Cornelius Obonya and many others. As the narrator, Udo Wachtveitl is the main voice of the series. Numerous musical examples as well as several complete works, recorded by leading musicians at an outstanding level, bring the composers' work to life. All quotations are from genuine sources - after all, what really happened is more exciting than all the anecdotes invented later. In this way, and captivatingly, well-founded knowledge becomes listening pleasure.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986506600669,"sku":"4035719009378","price":187.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4247972-3141341.jpg?v=1762931122"},{"product_id":"munich-radio-orchestra-great-wagner-voices","title":"Munich Radio Orchestra- Great Wagner Voices (CD)","description":"\u003cp\u003eTo commemorate the 200th anniversary of Richard Wagner's birth, Great Wagner Voices brings together ten extremely diverse Wagnerian soloists in a collection of great Wagner arias. The recordings from the years 1963 to 1971 were drawn from the archives of Bavarian Broadcasting.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTannhauser: Tannhauser, Act II: Dich, Teure Halle\u003c\/li\u003e\n\u003cli\u003eTannhauser: Tannhauser, Act III: Allmacht\u0026amp;#39;ge Jungfrau, Hor Mein Flehen!\u003c\/li\u003e\n\u003cli\u003eLohengrin: Lohengrin, Act I: Einsam In Truben Tagen Hab\u0026amp;#39; Ich Zu Gott Gefleht\u003c\/li\u003e\n\u003cli\u003eLohengrin: Lohengrin, Act III: In Fernem Land, Unnahbar Eu\u0026amp;#39;ren Schritten\u003c\/li\u003e\n\u003cli\u003eDer Fliegende Hollander (The Flying Dutchman): Der Fliegende Hollander (The Flying Dutchman), Act II: Johohoe! Traft Ihr Das Sch\u003c\/li\u003e\n\u003cli\u003eDer Fliegende Hollander (The Flying Dutchman): Der Fliegende Hollander (The Flying Dutchman), Act II: Mogst Du, Mein Kind, Den F\u003c\/li\u003e\n\u003cli\u003eDie Walkure: Act III: Leb Wohl, Du Kuhnes, Herrliches Kind!\u003c\/li\u003e\n\u003cli\u003eDie Walkure: Act III: Loge, Hor\u0026amp;#39;! Lausche Hieher!\u003c\/li\u003e\n\u003cli\u003eGotterdammerung (Twilight Of The Gods): Gotterdammerung (Twilight Of The Gods), Act I: Hier Sitz\u0026amp;#39; Ich Zur Wacht\u003c\/li\u003e\n\u003cli\u003eDie Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Act II: Was Duftet Doch Der Flieder\u003c\/li\u003e\n\u003cli\u003eDie Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Act III: Wahn! Wahn!\u003c\/li\u003e\n\u003cli\u003eTristan Und Isolde: Tristan Und Isolde, Act III: Mild Und Leise Wie Er Lachelt, \u0026amp;quot;Isoldes Liebestod\u0026amp;quot;\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986779918557,"sku":"4035719003109","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/2225678.jpg?v=1762931598"},{"product_id":"puccini-castronovo-munich-radio-orchestra-i-canti-orc","title":"Puccini \/ Castronovo \/ Munich Radio Orchestra- I Canti \u0026 Orc (CD)","description":"\u003cp\u003eGiacomo Puccini wrote only a few works for voice with piano accompaniment. Eleven songs were published during his lifetime; others remained lost for over a century. In 2010, a first critical edition of the total of sixteen vocal compositions was presented. Several of them are closely related to Puccini's operas and had already been written during his studies in Milan. It was this edition that inspired Johannes X. Schachtner to arrange the piano score-like accompaniments for orchestra. In early February 2023, the US tenor Charles Castronovo sang these sixteen songs for the first time together with the Münchner Rundfunkorchester conducted by Ivan Repusic. Charles Castronovo has worked with the Münchner Rundfunkorchester ever since a concert performance of Mozart's La clemenza di Tito in 2006. In the 2023\/24 season, he will return to Munich as the orchestra's \"Artist in Residence\". BR-KLASSIK now presents the CD \"Giacomo Puccini - I Canti\". Puccini's piano songs are entirely in the Italian tradition of the 19th century. Most Italian opera composers - from Rossini, Donizetti and Bellini to Verdi - also wrote lieder, but unlike the German art song, these were always closely related to bel canto, the \"beautiful song\". Priority is given here to an irresistible melos over a mostly simple accompaniment, which is nevertheless supported by charming harmonies; hardly ever do these Italian songs eschew the dramatic flair of the opera composer. In the course of his work, Johannes X. Schachtner was increasingly fascinated by the way in which these songs, which were written for very different occasions and have no contextual connection, nevertheless convey the highly exciting story of a composer's life. From the youthful, almost innocent love song \"A te\" to Puccini's last songs with the impressive \"Morire?\" - but also small album leaves such as the setting of the Italian proverb \"Casa mia, casa mia\", which is only a few bars long. Some songs also afford us a glimpse into the workshop of the composer Puccini, who made use of his earlier pieces in his operas. For example, a melody from the song \"Mentía l'avviso\", which was part of his final examination at the Milan Conservatory, became the famous aria \"Donna non vidi mai\" of Des Grieux in his opera Manon Lescaut a few years later. The sixteen songs arranged with orchestral accompaniment are complemented by orchestral works by Puccini, written during his studies at the Milan Conservatory. They reflect the musical spirit of the time that shaped the young composer - ranging from the melodic influences of his teacher Amilcare Ponchielli to the impressions that the music of Richard Wagner left on him. Themes from these pieces also recur in his operas. Puccini's enthusiasm for Wagner shimmers through unmistakably in the \"Preludio sinfonica\". In the \"Capriccio sinfonica\" one can hear a whole reservoir of later opera melodies, the most striking of which (almost note-for-note) is the opening of La bohème. Puccini's funeral music \"Crisantemi\", composed for string quartet, was written before his first resounding success with Manon Lescaut, where melodies from it recur. Puccini wrote the piece in memory of Amadeo di Savoia, Duke of Aosta, who died on January 18, 1890, and the morbid scent of the cemetery flowers pervades the three-part Andante movement\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Te (Arr. J.X. Schachtner for Voice and Orchestra) [03:39]\u003c\/li\u003e\n\u003cli\u003eSalve Regina (Arr. J.X. Schachtner for Voice and Orchestra) [04:27]\u003c\/li\u003e\n\u003cli\u003eAd Una Morta! (Arr. J.X. Schachtner for Voice and Orchestra) [03:17]\u003c\/li\u003e\n\u003cli\u003eMentìa L'avviso (Arr. J.X. Schachtner for Voice and Orchestra) [04:22]\u003c\/li\u003e\n\u003cli\u003eStoriella D'amore (Arr. J.X. Schachtner for Voice and Orchestra) [05:02]\u003c\/li\u003e\n\u003cli\u003eSole E Amore (Arr. J.X. Schachtner for Voice and Orchestra) [01:54]\u003c\/li\u003e\n\u003cli\u003eAvanti, Urania! (Arr. J.X. Schachtner for Voice and Orchestra) [01:23]\u003c\/li\u003e\n\u003cli\u003eInno a Diana (Arr. J.X. Schachtner for Voice and Orchestra) [02:07]\u003c\/li\u003e\n\u003cli\u003eE L'uccellino (Arr. J.X. Schachtner for Voice and Orchestra) [01:15]\u003c\/li\u003e\n\u003cli\u003eTerra E Mare (Arr. J.X. Schachtner for Voice and Orchestra) [01:21]\u003c\/li\u003e\n\u003cli\u003eCanto D'anime (Arr. J.X. Schachtner for Voice and Orchestra) [01:30]\u003c\/li\u003e\n\u003cli\u003eDios y Patria (Arr. J.X. Schachtner for Voice and Orchestra) [02:38]\u003c\/li\u003e\n\u003cli\u003eCasa Mia, Casa Mia (Arr. J.X. Schachtner for Voice and Orchestra) [00:41]\u003c\/li\u003e\n\u003cli\u003eSogno D'or (Arr. J.X. Schachtner for Voice and Orchestra) [02:13]\u003c\/li\u003e\n\u003cli\u003eInno a Roma (Arr. J.X. Schachtner for Voice and Orchestra) [03:20]\u003c\/li\u003e\n\u003cli\u003eMorire? (Arr. J.X. Schachtner for Voice and Orchestra) [02:34]\u003c\/li\u003e\n\u003cli\u003ePreludio Sinfonico [08:28]\u003c\/li\u003e\n\u003cli\u003eCapriccio Sinfonico [11:38]\u003c\/li\u003e\n\u003cli\u003eCrisantemi (Arr. L. Drew for String Orchestra) [06:38]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986843914461,"sku":"4035719003499","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4273554-3121635.jpg?v=1762931709"},{"product_id":"munich-radio-orchestra-puccini-making-the-world-cry-die-welt-zum-weinen","title":"Munich Radio Orchestra- Puccini: Making The World Cry (Die Welt Zum Weinen (CD)","description":"\u003cp\u003eUPC \u0026gt; 4035719009392\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Br Klassiks\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47132923429085,"sku":"4035719009392","price":41.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4478754-3505685.jpg?v=1768065948"}],"url":"https:\/\/shop.darksiderecords.com\/en-ae\/collections\/munich-radio-orchestra.oembed","provider":"Darkside Records","version":"1.0","type":"link"}