Sensitive Style For Flute / Various- Sensitive Style for Flute (CD)
The Empfindsam or "sentimental" style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and it's hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the "Empfindsamer Stil".
Tracklist:
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: I. Adagio
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: II. Allegro
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: III. Vivace
- Adagio For Flute In C Major, Qv 1:7
- Bachus Und Venus, H. 698, Wq. 202d "Amor Ist Mein Lied" (Arr. L. Dean & A. Lawrence-King For Flute & Harp)
- Flute Sonata In E Minor, L3.57: I. Largo, Mà Un Poco Andante
- Flute Sonata In E Minor, L3.57: II. Arioso, Un Poco Allegro
- Flute Sonata In E Minor, L3.57: III. Presto
- Flute Fantasia No. 6 In D Minor, Twv 40:7: I. Dolce
- Flute Fantasia No. 6 In D Minor, Twv 40:7: II. Allegro
- Flute Fantasia No. 6 In D Minor, Twv 40:7: III. Spirituoso
- Flute Sonata In G Major, Lorb 642.B: I. Allegro Moderato
- Flute Sonata In G Major, Lorb 642.B: II. Andantino
- Flute Sonata In G Major, Lorb 642.B: III. Allegro Moderato
- Komm Gott Schöpfer Heilger Geist, Engk 209 (Arr. For Flute & Basso Continuo)
- Flute Sonata In D Major: I. Adagio
- Flute Sonata In D Major: II. Allegro Ma Non Troppo
- Flute Sonata In D Major: III. Cantabile
- Flute Sonata In E-Flat Major, Bwv 1031: II. Siciliano
The Empfindsam or "sentimental" style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and it's hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the "Empfindsamer Stil".
Tracklist:
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: I. Adagio
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: II. Allegro
- Flute Sonata In F Major, Op. 6 No. 5, Wk 127: III. Vivace
- Adagio For Flute In C Major, Qv 1:7
- Bachus Und Venus, H. 698, Wq. 202d "Amor Ist Mein Lied" (Arr. L. Dean & A. Lawrence-King For Flute & Harp)
- Flute Sonata In E Minor, L3.57: I. Largo, Mà Un Poco Andante
- Flute Sonata In E Minor, L3.57: II. Arioso, Un Poco Allegro
- Flute Sonata In E Minor, L3.57: III. Presto
- Flute Fantasia No. 6 In D Minor, Twv 40:7: I. Dolce
- Flute Fantasia No. 6 In D Minor, Twv 40:7: II. Allegro
- Flute Fantasia No. 6 In D Minor, Twv 40:7: III. Spirituoso
- Flute Sonata In G Major, Lorb 642.B: I. Allegro Moderato
- Flute Sonata In G Major, Lorb 642.B: II. Andantino
- Flute Sonata In G Major, Lorb 642.B: III. Allegro Moderato
- Komm Gott Schöpfer Heilger Geist, Engk 209 (Arr. For Flute & Basso Continuo)
- Flute Sonata In D Major: I. Adagio
- Flute Sonata In D Major: II. Allegro Ma Non Troppo
- Flute Sonata In D Major: III. Cantabile
- Flute Sonata In E-Flat Major, Bwv 1031: II. Siciliano