Fluence- Fluence
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. "A Few Reasons To Stay / A Few Reasons To Split," a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. "Barcelona Tango's" off-kilter exotica with pocket trumpet and looping drum beats foreshadows Comelade's later work, which would create a stir in some avant-garde circles for his use of unorthodox instruments (plastic saxophone, toy piano, etc.). On the side-long "Schizo," Comelade's electric organ with probing, Terry Riley-esque swooshes collides with Gabriel Ibanez's thick, reedy buzz-together forming a truly magical soundscape. These incendiary performances ably join the ranks of other dreamily cosmic, impressionistic guitar-and-synth masterworks like No Pussyfooting and The Serpent (In Quicksilver) as well as Conny Veit's work with Popol Vuh. Originally released in 1975, Fluence offers a remarkable emotional and textural range-richly experimental and deeply progressive-that sounds at once timeless and strikingly contemporary. This first-time standalone reissue is limited to 750 numbered copies.
Track List
- A Few Reasons To Stay / A Few Reasons To Split
- Barcelona Tango
- Schizo
Shop online 24/7 at Darkside Records.
Follow us on Instagram.
> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to ONE copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. "A Few Reasons To Stay / A Few Reasons To Split," a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. "Barcelona Tango's" off-kilter exotica with pocket trumpet and looping drum beats foreshadows Comelade's later work, which would create a stir in some avant-garde circles for his use of unorthodox instruments (plastic saxophone, toy piano, etc.). On the side-long "Schizo," Comelade's electric organ with probing, Terry Riley-esque swooshes collides with Gabriel Ibanez's thick, reedy buzz-together forming a truly magical soundscape. These incendiary performances ably join the ranks of other dreamily cosmic, impressionistic guitar-and-synth masterworks like No Pussyfooting and The Serpent (In Quicksilver) as well as Conny Veit's work with Popol Vuh. Originally released in 1975, Fluence offers a remarkable emotional and textural range-richly experimental and deeply progressive-that sounds at once timeless and strikingly contemporary. This first-time standalone reissue is limited to 750 numbered copies.
Track List
- A Few Reasons To Stay / A Few Reasons To Split
- Barcelona Tango
- Schizo
Shop online 24/7 at Darkside Records.
Follow us on Instagram.
> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to ONE copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.