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Brad Mehldau- After Bach II

SKU: 075597900774
Regular price $24.00
Unit price
per
Brad Mehldau- After Bach II
Brad Mehldau- After Bach II

Brad Mehldau / AFTER BACH II - The album comprises four preludes and one fugue from J.S. Bach's Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master-including his Variations on Bach's Goldberg Theme. Mehldau, speaking of the "universality" of Bach's music, says in his liner note: "The more you try to engage with him, the more your own personality becomes visible, unavoidably. You are not playing Bach-Bach is playing you, in the sense that he lays you bare... The greatest choice you make at all times is not out of an absence, but from what is there, in it's totality. Specifically, it is the constant choice you make in how to negotiate between harmony and melody."He continues, "This is why Bach is a model for me as a jazz musician. In my improvised solos, I want to make melodic phrases that carry harmonic implication, and create harmony that moves in a melodic fashion. This is a crucial component in the storytelling." After Bach II follows 2018's After Bach album, which originated in a work Mehldau first performed in 2015-commissioned by Carnegie Hall, The Royal Conservatory of Music, The National Concert Hall, and Wigmore Hall-called Three Pieces After Bach.

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Format: New CD/Jazz

Brad Mehldau- After Bach II

SKU: 075597900774
Regular price $24.00
Unit price
per
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to three copies per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be cancelled.

Brad Mehldau / AFTER BACH II - The album comprises four preludes and one fugue from J.S. Bach's Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master-including his Variations on Bach's Goldberg Theme. Mehldau, speaking of the "universality" of Bach's music, says in his liner note: "The more you try to engage with him, the more your own personality becomes visible, unavoidably. You are not playing Bach-Bach is playing you, in the sense that he lays you bare... The greatest choice you make at all times is not out of an absence, but from what is there, in it's totality. Specifically, it is the constant choice you make in how to negotiate between harmony and melody."He continues, "This is why Bach is a model for me as a jazz musician. In my improvised solos, I want to make melodic phrases that carry harmonic implication, and create harmony that moves in a melodic fashion. This is a crucial component in the storytelling." After Bach II follows 2018's After Bach album, which originated in a work Mehldau first performed in 2015-commissioned by Carnegie Hall, The Royal Conservatory of Music, The National Concert Hall, and Wigmore Hall-called Three Pieces After Bach.

Shop online 24/7 at Darkside Records.

Follow us on Instagram.