Earn Rewards >> Sign up & get 2% store credit back on your purchases
Free Shipping On Purchases Over $75 (US Only)
Over 30,000 LPs IN STOCK

Currency

Your cart

Your cart is empty

Check out these collections

Wurttembergisches Kammerorchester Heilbronn- Dittersdorf: Symphonies after Ovid's Metamorphoses

SKU: 761203542925
Regular price R$ 229,00
Unit price
per
Wurttembergisches Kammerorchester Heilbronn- Dittersdorf: Symphonies after Ovid's Metamorphoses
Wurttembergisches Kammerorchester Heilbronn- Dittersdorf: Symphonies after Ovid's Metamorphoses

The Metamorphoses by the Roman poet Ovid were not always merely the nightmare of classical philology students. On the contrary: the great work on the transformations of figures of ancient mythology by scornful, amorous or grateful gods have been handed down to us in innumerable paintings, stories, theatre pieces and operas. The symphonies written by Joseph Haydn's colleague and friend Carl Ditters von Dittersdorf in the 1780s occupy a special place among the purely instrumental reflections of these events. Anything but programmatic in the Romantic sense, it plays with sophisticated associations that can only be discovered by those who listen attentively and can supplement the allusions with their own imagination - a rewarding endeavour, especially when sparks fly out of the classical symmetry of the gods as they do here.

Format: New CD/Classical

Wurttembergisches Kammerorchester Heilbronn- Dittersdorf: Symphonies after Ovid's Metamorphoses

SKU: 761203542925
Regular price R$ 229,00
Unit price
per
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to ONE copy per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be canceled.

The Metamorphoses by the Roman poet Ovid were not always merely the nightmare of classical philology students. On the contrary: the great work on the transformations of figures of ancient mythology by scornful, amorous or grateful gods have been handed down to us in innumerable paintings, stories, theatre pieces and operas. The symphonies written by Joseph Haydn's colleague and friend Carl Ditters von Dittersdorf in the 1780s occupy a special place among the purely instrumental reflections of these events. Anything but programmatic in the Romantic sense, it plays with sophisticated associations that can only be discovered by those who listen attentively and can supplement the allusions with their own imagination - a rewarding endeavour, especially when sparks fly out of the classical symmetry of the gods as they do here.