Earn Rewards >> Sign up & get 2% store credit back on your purchases
Free Shipping On Purchases Over $75 (US Only)
Over 30,000 LPs IN STOCK

Language

Currency

Your cart

Your cart is empty

Check out these collections

Alma Quartet- The Late Quartets, Vol. 1 - Beethoven, Op. 127 & Shostakovich, Op. 122

SKU: 608917298826
Regular price 63.00 NIS
Unit price
per
Alma Quartet- The Late Quartets, Vol. 1 - Beethoven, Op. 127 & Shostakovich, Op. 122
Alma Quartet- The Late Quartets, Vol. 1 - Beethoven, Op. 127 & Shostakovich, Op. 122

As much as the now popular sentence naming Shostakovich "the Beethoven of the 20th Century" is debatable, nobody can deny an amount of contact points between the two composers: above all, the favorite musical mediums and the engagement in historical and political coeval affairs. However, we think that nothing like their Late String Quartets can offer material for a comparative listening and analysis. In both cases we can easily detect what Edward Said defined and discussed as the "Late Style". And in both cases we are in front of a complex and vibrant dialectic between a process of abstraction and a moral imperative to stick to the "hic et nunc". Such an intellectual and existential confrontation is fruitfully without solution and offers a never-ending space to insights and interpretations. Here we propose Alma Quartet's outlook first instalment.

Format: New CD/Classical

Alma Quartet- The Late Quartets, Vol. 1 - Beethoven, Op. 127 & Shostakovich, Op. 122

SKU: 608917298826
Regular price 63.00 NIS
Unit price
per

Release Date: 10.4.24

Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to three copies per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be cancelled.

As much as the now popular sentence naming Shostakovich "the Beethoven of the 20th Century" is debatable, nobody can deny an amount of contact points between the two composers: above all, the favorite musical mediums and the engagement in historical and political coeval affairs. However, we think that nothing like their Late String Quartets can offer material for a comparative listening and analysis. In both cases we can easily detect what Edward Said defined and discussed as the "Late Style". And in both cases we are in front of a complex and vibrant dialectic between a process of abstraction and a moral imperative to stick to the "hic et nunc". Such an intellectual and existential confrontation is fruitfully without solution and offers a never-ending space to insights and interpretations. Here we propose Alma Quartet's outlook first instalment.