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El Cimarron Ensemble- El Cimarron (CD)

SKU: 4010228671025
Regular price ¥4,400
Unit price
per
the album cover for El Cimarron Ensemble - El Cimarron
the album cover for El Cimarron Ensemble - El Cimarron

"El Cimarrón" is one of the most important examples of politically engaged music - a milestone in the history of Hans Werner Henze's oeuvre, musical theater that had not been known or mastered previously. In his "recital for four musicians", Henze tells the story of Esteban Montejo, an escaped Cuban slave who, at the age of 104, was interviewed extensively about his life by the Cuban ethnologist and writer Miguel Barnet. Barnet's book provided the model for a libretto by the German writer Hans Magnus Enzensberger which was translated into English by Christopher Keene. In Henze's composition, there is a narrative gesture that derives from Esteban Montejo's speaking style, which was captured on tape. And there is the basso continuo, the musical foundation from which the whole thing grows and produces it's new blossoms. It was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón.

Tracklist:

  1. The World
  2. The Cimarrón
  3. Slavery
  4. Escape
  5. The Forest
  6. Ghost
  7. The False Freedom
  8. Women
  9. The Machines
  10. The Priests
  11. The Rebellion
  12. The Battle Of Mal Tiempo
  13. The Bad Victory
  14. Friendliness
  15. The Machete
Format: New CD/Classical

El Cimarron Ensemble- El Cimarron (CD)

SKU: 4010228671025
Regular price ¥4,400
Unit price
per

Release Date: 03.11.2008

 
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

"El Cimarrón" is one of the most important examples of politically engaged music - a milestone in the history of Hans Werner Henze's oeuvre, musical theater that had not been known or mastered previously. In his "recital for four musicians", Henze tells the story of Esteban Montejo, an escaped Cuban slave who, at the age of 104, was interviewed extensively about his life by the Cuban ethnologist and writer Miguel Barnet. Barnet's book provided the model for a libretto by the German writer Hans Magnus Enzensberger which was translated into English by Christopher Keene. In Henze's composition, there is a narrative gesture that derives from Esteban Montejo's speaking style, which was captured on tape. And there is the basso continuo, the musical foundation from which the whole thing grows and produces it's new blossoms. It was derived from and developed on ancient African (Congolese-Cuban) percussion music. That is the often quite but often loud pulse of our Cimarrón.

Tracklist:

  1. The World
  2. The Cimarrón
  3. Slavery
  4. Escape
  5. The Forest
  6. Ghost
  7. The False Freedom
  8. Women
  9. The Machines
  10. The Priests
  11. The Rebellion
  12. The Battle Of Mal Tiempo
  13. The Bad Victory
  14. Friendliness
  15. The Machete