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Heritage Of The Invisible Ii

SKU: 603784912356
Regular price L£2,633,000.00
Unit price
per
Heritage Of The Invisible Ii
Heritage Of The Invisible Ii

Vinyl LP pressing. A telepathic Afro-Caribbean improvisational DUO' as they've dubbed themselves, Aquiles Navarro & Tcheser Holmes are also known as 2/5 of the revolutionary free jazz quintet Irreversible Entanglements. Navarro ' a protégé of Carlos Garnett (whose incendiary woodwind sounds are famously heard on Miles Davis's On The Corner and Pharaoh Sanders's Black Unity) ' is Panamanian immigrant, trumpeter, composer & community organizer (who heads his own record label, River Down Records). Holmes is a life-long drummer & percussionist, born in Brooklyn and raised into a musical Pan- African spiritual community (the Ausar Auset Society). Heritage of the Invisible II finds them exploring in their purest forms ' diving deep into the abstract depths of free improvisation, discovering new dialectic survival methods, and surfacing with an ecstatic, advanced articulation of Afro-Caribbean-inflected future folk.

Format: New Vinyl/Jazz

Heritage Of The Invisible Ii

SKU: 603784912356
Regular price L£2,633,000.00
Unit price
per

Release Date: 11.06.20

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to three copies per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be cancelled.

Vinyl LP pressing. A telepathic Afro-Caribbean improvisational DUO' as they've dubbed themselves, Aquiles Navarro & Tcheser Holmes are also known as 2/5 of the revolutionary free jazz quintet Irreversible Entanglements. Navarro ' a protégé of Carlos Garnett (whose incendiary woodwind sounds are famously heard on Miles Davis's On The Corner and Pharaoh Sanders's Black Unity) ' is Panamanian immigrant, trumpeter, composer & community organizer (who heads his own record label, River Down Records). Holmes is a life-long drummer & percussionist, born in Brooklyn and raised into a musical Pan- African spiritual community (the Ausar Auset Society). Heritage of the Invisible II finds them exploring in their purest forms ' diving deep into the abstract depths of free improvisation, discovering new dialectic survival methods, and surfacing with an ecstatic, advanced articulation of Afro-Caribbean-inflected future folk.