Stine Janvin- Fake Synthetic Music
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Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from it's natural, human connotations. Fake Synthetic Music is Stine Janvin's latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. The release introduces a recorded version of her 'fake synthetic material', and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached.
Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from it's natural, human connotations. Fake Synthetic Music is Stine Janvin's latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. The release introduces a recorded version of her 'fake synthetic material', and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached.
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