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Giorgio Federico Ghedini- Pizzetti & Ghedini: Opere corali sacre

SKU: 8007194108224
Prix habituel $28.00
Prix unitaire
par
Giorgio Federico Ghedini- Pizzetti & Ghedini: Opere corali sacre
Giorgio Federico Ghedini- Pizzetti & Ghedini: Opere corali sacre

With this new album, the Euridice Choir, Bologna achieves a major objective with regard to the divulgation of some choral works by two authors, Ildebrando Pizzetti (Parma 1880 - Rome 1968) and Giorgio Federico Ghedini (Cuneo 1892 - Genoa Nervi 1965), who are at the top of the history of 20th century Italian choral music; unfortunately most of these masterpieces seldom find place in concert programs and are, by consequence, little known. These compositions are set on very different stylistic sides) but their musical quality outlines a clear profile of the expressive depth and aesthetic consistency of Italian choral music from the early 1900. The imposing polyphonic structure of Pizzetti's Requiem and the "neo-Madrigalism" (as defined by Massimo Mila) adopted by Giorgio Federico Ghedini are based respectively on the suggestions of Gregorian chant and on the stylistic modules of the Renaissance compositional heritage, whose recovery constitutes the founding cornerpiece of this music.

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Format: New CD/Classical

Giorgio Federico Ghedini- Pizzetti & Ghedini: Opere corali sacre

SKU: 8007194108224
Prix habituel $28.00
Prix unitaire
par

Release Date: 1.03.25

 
Les frais d'expédition sont calculés au moment du paiement.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to ONE copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

With this new album, the Euridice Choir, Bologna achieves a major objective with regard to the divulgation of some choral works by two authors, Ildebrando Pizzetti (Parma 1880 - Rome 1968) and Giorgio Federico Ghedini (Cuneo 1892 - Genoa Nervi 1965), who are at the top of the history of 20th century Italian choral music; unfortunately most of these masterpieces seldom find place in concert programs and are, by consequence, little known. These compositions are set on very different stylistic sides) but their musical quality outlines a clear profile of the expressive depth and aesthetic consistency of Italian choral music from the early 1900. The imposing polyphonic structure of Pizzetti's Requiem and the "neo-Madrigalism" (as defined by Massimo Mila) adopted by Giorgio Federico Ghedini are based respectively on the suggestions of Gregorian chant and on the stylistic modules of the Renaissance compositional heritage, whose recovery constitutes the founding cornerpiece of this music.

Shop online 24/7 at Darkside Records.


Follow us on Instagram.