{"product_id":"jeremy-siepmann-introduction-to-brahms-piano-concerto-2","title":"Jeremy Siepmann- Introduction to Brahms: Piano Concerto 2","description":"\u003cp\u003eThere is perhaps no great piano concerto grander than the Brahms B Flat. With the spaciousness of a symphony, the drama of an opera, the intimacy of a lullaby and the intertwining raptures of the greatest love songs. It touches on almost every emotion with extraordinary immediacy and power. It's virtuosity is spell-binding, yet always substantial.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction; Opening Horn Call And Piano's Answer\u003c\/li\u003e\n\u003cli\u003eRising Three-note Scalewise Pattern\u003c\/li\u003e\n\u003cli\u003eQuicker, Descending Six-note 'Answer'\u003c\/li\u003e\n\u003cli\u003eSecond 'Answering' Phrase\u003c\/li\u003e\n\u003cli\u003eFirst Main Theme Completed By Orchestra\u003c\/li\u003e\n\u003cli\u003ePeace Shattered As Piano Bursts Back In Like A Tiger\u003c\/li\u003e\n\u003cli\u003eVariant Of Opening Horn Call In Bass\u003c\/li\u003e\n\u003cli\u003eOrchestra Returns, Beginning Of Exposition Proper\u003c\/li\u003e\n\u003cli\u003eBig, 'Singing' Theme In Orchestra; Piano 'Forgotten'\u003c\/li\u003e\n\u003cli\u003eCall To Arms By Strings; Marshalling Of Orchestral Forces\u003c\/li\u003e\n\u003cli\u003ePiano Re-enters Fray With Massive Expansion Of Opening Figure\u003c\/li\u003e\n\u003cli\u003ePiano 'Explores' Two Main Facets Of Opening Theme\u003c\/li\u003e\n\u003cli\u003eTransition. Sense Of Key Weakened. Piano And Orchestra Come Toge\u003c\/li\u003e\n\u003cli\u003ePiano And Orchestra 'Argue' Over Speed Of Thematic Three-note Ri\u003c\/li\u003e\n\u003cli\u003ePiano And Orchestra In Friendly Dialogue Before Piano Falls Away\u003c\/li\u003e\n\u003cli\u003e'Winged' Harmonic Shadow Of Pure Pianistic Tone-Colour\u003c\/li\u003e\n\u003cli\u003eNew 'Transitional' Theme From Orchestra Developed By Piano\u003c\/li\u003e\n\u003cli\u003eAfter Indecision And Discussion, The Mood Suddenly Turns Playful\u003c\/li\u003e\n\u003cli\u003eReminder Of Second Main Theme In It's Original Form\u003c\/li\u003e\n\u003cli\u003eTransformation Of Second Main Theme By Piano\u003c\/li\u003e\n\u003cli\u003ePiano Hijacks Orchestra's 'Call To Arms' (First Heard In Track 1\u003c\/li\u003e\n\u003cli\u003ePiano And Orchestra, Now Allies, Explore Theme, But With Piano L\u003c\/li\u003e\n\u003cli\u003eDramatic Eruption Of Orchestra Leads To The Development Section\u003c\/li\u003e\n\u003cli\u003ePianistic 'Tiger' Replaced By Gentle, Reflective, Soft-spoken Po\u003c\/li\u003e\n\u003cli\u003eTransformed 'Tiger' Theme Amicably Shared By Piano And Orchestra\u003c\/li\u003e\n\u003cli\u003eAn Apparently New Theme - But Battle Hymn Of The Republic?\u003c\/li\u003e\n\u003cli\u003eBrief, Downward-driving Section Prepares For The Recapitulation\u003c\/li\u003e\n\u003cli\u003eOn The Threshold Of The Recapitulation\u003c\/li\u003e\n\u003cli\u003eRecapitulation: The Magical Return\u003c\/li\u003e\n\u003cli\u003eFrom Gate-crashing Tiger To Celestial Tenderness - And A Surpris\u003c\/li\u003e\n\u003cli\u003eAn Unexpected And Portentous Change Of Mood, Suggesting Tragedy\u003c\/li\u003e\n\u003cli\u003eSummation\u003c\/li\u003e\n\u003cli\u003eFirst Movement (Complete)\u003c\/li\u003e\n\u003cli\u003eSecond Movement: The Upward-driving Opening Gambit, Piano Alone\u003c\/li\u003e\n\u003cli\u003eDownward-driving Answer From Lower Strings (Violas, Cellos, Bass\u003c\/li\u003e\n\u003cli\u003eTheme Vs Melody\u003c\/li\u003e\n\u003cli\u003eEerie, Unharmonised, 'White' Sound Of Second Theme\u003c\/li\u003e\n\u003cli\u003eSecond Theme Taken Up And Developed By Piano\u003c\/li\u003e\n\u003cli\u003eExpectation And Surprise; Harmonic Fluidity And Intensifying Dra\u003c\/li\u003e\n\u003cli\u003eReturn (And Transformation) Of Theme Two\u003c\/li\u003e\n\u003cli\u003eTheme One Returns In Orchestra; Theme Three Emerges In Major Mod\u003c\/li\u003e\n\u003cli\u003eSequence Of Fragmentary Episodes Begins With Unexpected Fanfare\u003c\/li\u003e\n\u003cli\u003eVariant Of Theme Three In Piano (Diabolical Piano Octaves)\u003c\/li\u003e\n\u003cli\u003eRescored Variant Of 'Fanfare' Theme; From Grandeur To Solemnity\u003c\/li\u003e\n\u003cli\u003eRhapsodic Variant Of Fanfare, This Time For Piano Alone\u003c\/li\u003e\n\u003cli\u003eRecapitulation Of Opening, With Piano And Orchestra Reversing Ro\u003c\/li\u003e\n\u003cli\u003eTheme Two Transformed By New Instrumentation\u003c\/li\u003e\n\u003cli\u003eCue And Second Movement (Complete)\u003c\/li\u003e\n\u003cli\u003eIntroduction, Cue And First Main Theme\u003c\/li\u003e\n\u003cli\u003eTheme One Taken Up By Strings And Solo Oboe; Piano's Entry\u003c\/li\u003e\n\u003cli\u003eComplex Variant Of Theme One With Very Different Speed And Rhyth\u003c\/li\u003e\n\u003cli\u003eOrchestra And Piano In Mixed Variants Of Theme One, Now Intensif\u003c\/li\u003e\n\u003cli\u003eTheme Two, Hushed And 'Tuneless', With Piano, Clarinets And Stri\u003c\/li\u003e\n\u003cli\u003eOboe Theme Returns, Now Delicately Embroidered By The Piano\u003c\/li\u003e\n\u003cli\u003eCue And Third Movement (Complete)\u003c\/li\u003e\n\u003cli\u003eFinale: Introduction, Cue And Main Theme\u003c\/li\u003e\n\u003cli\u003eViolins Take Up Tune, With Winds And Piano Accompanying\u003c\/li\u003e\n\u003cli\u003ePiano Introduces Part 2 Of The Main Theme\u003c\/li\u003e\n\u003cli\u003ePart 3 Of The Theme, Led By Piano, In 'Fiercely' Self-confident\u003c\/li\u003e\n\u003cli\u003eFirst Episode, Part 1\u003c\/li\u003e\n\u003cli\u003eFirst Episode, Part 2\u003c\/li\u003e\n\u003cli\u003ePiano Hands Theme Over To Clarinets And Bassoons\u003c\/li\u003e\n\u003cli\u003eFirst Episode, Part 3, In Piano, First; Then Flutes And Oboes\u003c\/li\u003e\n\u003cli\u003eStrings And Flutes Take Theme, With Bubbling Commentary From Pia\u003c\/li\u003e\n\u003cli\u003eTipsy Dancers (Piano And Winds) Return, Tiring; Strings Take Ove\u003c\/li\u003e\n\u003cli\u003eIn The Central Episode, The Orchestra Throws Down A Dramatic Cha\u003c\/li\u003e\n\u003cli\u003e...To Which The Piano Duly Responds With A Stormy Outburst\u003c\/li\u003e\n\u003cli\u003ePiano Kick-starts Run-up To Final Section In A Variant Of The Ma\u003c\/li\u003e\n\u003cli\u003eOrchestra Sets Off On A Jaunty March, Later Joined By The Piano\u003c\/li\u003e\n\u003cli\u003ePiano Propels Orchestra Into Final Section\u003c\/li\u003e\n\u003cli\u003eSummation And Cue To The Movement As A Whole\u003c\/li\u003e\n\u003cli\u003eFinale (Complete)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984269431005,"sku":"636943803028","price":81.0,"currency_code":"ILS","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/378514.jpg?v=1762927027","url":"https:\/\/shop.darksiderecords.com\/he-il\/products\/jeremy-siepmann-introduction-to-brahms-piano-concerto-2","provider":"Darkside Records","version":"1.0","type":"link"}