{"product_id":"jeremy-summerly-requiem","title":"Jeremy Summerly- Requiem (CD)","description":"\u003cp\u003eThe appearance of FaurÃ©'s Requiem in the 1880s, a decade during which the composer's most successful compositions were songs and piano pieces, can on I y be explained by the fine choral music which preceded it. The Messe basse represents FaurÃ© at his most practical. Written in conjunction with the French composer and organist AndrÃ© Messager (also at one time assistant to Widor at St Sulpice) during a holiday in Normandy in 1881, the Messe basse was composed for the modest forces of a local church. A setting of the motet O salutaris hostia and the Kyrie were Messager's contribution; the remaining movements of the Ordinary, without the Credo, were set by FaurÃ©. When revising the score in 1906 FaurÃ© adapted the violin and harmonium accompaniment for organ, at the same time excising the Gloria and replacing Messager's Kyrie with one of his own. The final version of the Messe basse is one of the few existing settings of the mass for female voices and organ. The youthful Cantique de Jean Racine dates from 1865 when FaurÃ© was studying with Saint-SaÃ«ns at the Ecole Niedermeyer in Paris. The Cantique earned FaurÃ© a premier prix in composition and is a testament to the young composer's melodic genius and to his penchant for rich textures. This recording is an attempt to move FaurÃ©'s liturgical music from the concert hall to the church. In particular, the reconstruction of nineteenth-century French ecclesiastical pronunciation and the restoration of FaurÃ©'s preferred phrasing are just two of the most useful elements in the search for the composer's intentions. To those familiar with the more expansive versions of FaurÃ©'s Requiem there will inevitably be unfamiliar textures in this performance. However, few of FaurÃ©'s romantic gestures are lost in the chamber version, and moreover, the reserved translucence of the instrumentation emphasizes the fact that the Requiem -and indeed all the choral music recorded here - was originally designed for liturgical performance.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGabriel Faure: Requiem: I. Introit Et Kyrie\u003c\/li\u003e\n\u003cli\u003eII. Offertoire\u003c\/li\u003e\n\u003cli\u003eIII. Sanctus\u003c\/li\u003e\n\u003cli\u003eIV. Pie Jesu\u003c\/li\u003e\n\u003cli\u003eV. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eVI. Libera Me\u003c\/li\u003e\n\u003cli\u003eVII. In Paradisum\u003c\/li\u003e\n\u003cli\u003eLouis Vierne: Andantino\u003c\/li\u003e\n\u003cli\u003eDeodat De Severac: Tantum Ergo\u003c\/li\u003e\n\u003cli\u003eGabriel Faure: Messe Basse: I. Kyrie\u003c\/li\u003e\n\u003cli\u003eII. Sanctus\u003c\/li\u003e\n\u003cli\u003eIII. Benedictus\u003c\/li\u003e\n\u003cli\u003eIV. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eGabriel Faure: Cantique De Jean Racine, Op. 11\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984656814301,"sku":"730099576529","price":640.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/126960.jpg?v=1762927789","url":"https:\/\/shop.darksiderecords.com\/ja-tw\/products\/jeremy-summerly-requiem","provider":"Darkside Records","version":"1.0","type":"link"}