{"title":"Fruit Bats","description":"\u003cp\u003eBrowse our collection of Fruit Bats vinyl records, CDs, box sets, and more at Darkside Records. Shop new and used releases with fresh inventory arriving daily.\u003c\/p\u003e","products":[{"product_id":"fruit-bats-sometimes-a-cloud-is-just-a-cloud-slow-growers-sleeper-hits-and-lost-songs-2001-2021-pink-violet-vinyl","title":"Fruit Bats- Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001–2021) (Pink\/Violet Vinyl)","description":"\u003cp\u003eEric D. Johnson, the creative force behind Fruit Bats, doesn't spend a lot of time looking in the rearview mirror. But with the 20th anniversary of his first Fruit Bats release (2001's Echolocation) on his mind, it seemed as good a time as any to take stock of his work-and he's doing so in the form of Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001-2021), a two-disc collection that tracks the history of Fruit Bats from it's earliest days to right now. Thoughtfully compiled by Johnson himself, this set is split in two distinct halves. Set in reverse chronological order, the first disc cherry-picks from Fruit Bats' official releases, including fan favorites-\"Humbug Mountain Song\" from 2016's Absolute Loser and \"The Bottom of It\" from his 2019 Merge debut Gold Past Life-alongside some of Johnson's more personal choices like \"Glass in Your Feet\" from Echolocation.\u003c\/p\u003e Shop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\"\u003eDarkside Records\u003c\/a\u003e 24\/7.\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"New Vinyl","offers":[{"title":"Default Title","offer_id":43617160331485,"sku":"673855077307","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/products\/kptxl2wxn3fz6vg6n8wz.jpg?v=1731309846"},{"product_id":"fruit-bats-a-river-running-to-your-heart","title":"Fruit Bats- A River Running to Your Heart (CD)","description":"\u003cp\u003eA River Running to Your Heart represents the fullest realization of Johnson's creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. Self-produced by Johnson-a first for Fruit Bats-with Jeremy Harris at Panoramic House just north of San Francisco, A River Running to Your Heart is Fruit Bats' tenth full-length release. The album finds the project in the middle of a people-powered climb leading to the biggest shows, loudest accolades, and most enthusiastic new fans in Fruit Bats history! It's hard to pinpoint a single reason for this mid-career resurgence. But after two decades of making music, hard-earned emotional maturity has clearly seeped into Johnson's already inviting songs, resulting in a sound that's connected with audiences like no other previous version of the band.\u003c\/p\u003e","brand":"New CD","offers":[{"title":"Default Title","offer_id":43803789656285,"sku":"673855076720","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/products\/srfjntzjrw0zqaiqgaj3.jpg?v=1731347535"},{"product_id":"fruit-bats-a-river-running-to-your-heart-indie-exclusive","title":"Fruit Bats- A River Running to Your Heart (Indie Exclusive Vinyl)","description":"\u003cp\u003eA River Running to Your Heart represents the fullest realization of Johnson's creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. Self-produced by Johnson-a first for Fruit Bats-with Jeremy Harris at Panoramic House just north of San Francisco, A River Running to Your Heart is Fruit Bats' tenth full-length release. The album finds the project in the middle of a people-powered climb leading to the biggest shows, loudest accolades, and most enthusiastic new fans in Fruit Bats history! It's hard to pinpoint a single reason for this mid-career resurgence. But after two decades of making music, hard-earned emotional maturity has clearly seeped into Johnson's already inviting songs, resulting in a sound that's connected with audiences like no other previous version of the band.\u003c\/p\u003e Shop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\"\u003eDarkside Records\u003c\/a\u003e 24\/7.\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":43803789820125,"sku":"673855076706","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/products\/esy59ntjavvsilwren9z.jpg?v=1731347541"},{"product_id":"fruit-bats-gold-past-life-1","title":"Fruit Bats- Gold Past Life (Vinyl)","description":"\u003cp\u003eGold Past Life marks both an end and a beginning for Fruit Bats. It's the end of an unintentional thematic trilogy of records that began with 2014's EDJ (a solo record by name, but a Fruit Bats release in spirit) and hit an emotional peak with 2016's Absolute Loser. They encompassed years of loss, displacement, and the persistent, low-level anxiety of the current political climate. They were written in the wake of friends who left these earthly confines and families that could have been. But these salves, these songs on Gold Past Life, also represent new beginnings-the journeys that await after making it through troubled times. Gold Past Life is about rejecting notions of idealized nostalgia (\"Gold Past Life\") and the process of grounding oneself in the present, both geographically (\"A Lingering Love,\" \"Ocean\") and spiritually (\"Drawn Away\"). With Gold Past Life, Eric Johnson of Fruit B hopes to bring more immediacy to the music and share positivity, hope, and motivation to keep on keepin' on with a wider audience.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Bottom of It\u003c\/li\u003e\n\u003cli\u003e Gold Past Life\u003c\/li\u003e\n\u003cli\u003e Drawn Away\u003c\/li\u003e\n\u003cli\u003e Cazadera\u003c\/li\u003e\n\u003cli\u003e Ocean\u003c\/li\u003e\n\u003cli\u003e Your Dead Grandfather\u003c\/li\u003e\n\u003cli\u003e A Lingering Love\u003c\/li\u003e\n\u003cli\u003e Barely Living Room\u003c\/li\u003e\n\u003cli\u003e Mandy from Mohawk (Wherever You May Be)\u003c\/li\u003e\n\u003cli\u003e Dream Would Breathe\u003c\/li\u003e\n\u003cli\u003e Dream Would Breathe\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":45006370865373,"sku":"673855067018","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3914050.jpg?v=1727221196"},{"product_id":"fruit-bats-the-pet-parade","title":"Fruit Bats- The Pet Parade (Vinyl)","description":"\u003cp\u003e\"The Pet Parade,\" the title track to Fruit Bats' ninth album, might be a surprising opening track for longtime fans of Eric D. Johnson's beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. At times upbeat and reassuring (\"Eagles Below Us\") and at times quietly contemplative (\"On the Avalon Stairs\"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Pet Parade\u003c\/li\u003e\n\u003cli\u003e Cub Pilot\u003c\/li\u003e\n\u003cli\u003e Discovering\u003c\/li\u003e\n\u003cli\u003e The Balcony\u003c\/li\u003e\n\u003cli\u003e Here for Now for You\u003c\/li\u003e\n\u003cli\u003e On the Avalon Stairs\u003c\/li\u003e\n\u003cli\u003e Eagles Below Us\u003c\/li\u003e\n\u003cli\u003e Holy Rose\u003c\/li\u003e\n\u003cli\u003e All in One Go\u003c\/li\u003e\n\u003cli\u003e Gullwing Doors\u003c\/li\u003e\n\u003cli\u003e Complete\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":45006454849757,"sku":"673855075013","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3896047-2656044.jpg?v=1727219107"},{"product_id":"fruit-bats-a-river-running-to-your-heart-2","title":"Fruit Bats- A River Running to Your Heart (Vinyl)","description":"\u003cp\u003eA River Running to Your Heart represents the fullest realization of Johnson's creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. Self-produced by Johnson-a first for Fruit Bats-with Jeremy Harris at Panoramic House just north of San Francisco, A River Running to Your Heart is Fruit Bats' tenth full-length release. The album finds the project in the middle of a people-powered climb leading to the biggest shows, loudest accolades, and most enthusiastic new fans in Fruit Bats history! It's hard to pinpoint a single reason for this mid-career resurgence. But after two decades of making music, hard-earned emotional maturity has clearly seeped into Johnson's already inviting songs, resulting in a sound that's connected with audiences like no other previous version of the band.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eDim North Star\u003c\/li\u003e\n\u003cli\u003e Rushin' River Valley\u003c\/li\u003e\n\u003cli\u003e See the World By Night\u003c\/li\u003e\n\u003cli\u003e Tacoma\u003c\/li\u003e\n\u003cli\u003e Waking Up in Los Angeles\u003c\/li\u003e\n\u003cli\u003e We Used to Live Here\u003c\/li\u003e\n\u003cli\u003e It All Comes Back\u003c\/li\u003e\n\u003cli\u003e Sick of This Feeling\u003c\/li\u003e\n\u003cli\u003e The Deep Well\u003c\/li\u003e\n\u003cli\u003e Meridian\u003c\/li\u003e\n\u003cli\u003e Jesus Tap Dancing Christ (It's Good to Be Home)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e\n","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":45006686453981,"sku":"673855076713","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4177596-2939658.jpg?v=1727210174"},{"product_id":"fruit-bats-the-ruminant-band-pink-colored-vinyl-pink-limited-edition","title":"Fruit Bats- The Ruminant Band (Pink Vinyl)","description":"\u003cp\u003eFruit Bats celebrate the 15th anniversary of their acclaimed 2009 album The Ruminant Band with a new, limited-edition pink vinyl pressing!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver the course of the band's prior three records, Eric D. Johnson's Fruit Bats have looked for ways to file down the cynical edge of modern life and found many. Using bright melodies, defiantly major-key chord structures, natural imagery mixed with the occasional blazing insight and tender observation, the Fruit Bats have never shied away from darkness, but more uncommon in this day and age, they've refused to shy away from light. With The Ruminant Band, this tradition continues in characteristically rich and involving fashion. From the barn-floor stomp of \"Hobo Girl\" and the Fleetwood Mac-esque shimmy of the title track to the propulsive yet spacious '70s country-rock jam \"Tegucigalpa\" and the parlor piano soft-shoe of \"Flamingo,\" The Ruminant Band makes good on Johnson's recent message board promise: \"We are going to choogle for you.\" Though he has spent the handful of years between Fruit Bats records playing with peers as heralded and forward-thinking as Vetiver and The Shins, the songwriting and production on The Ruminant Band mark a further crystallization of Johnson's own melodic instincts and overall vision over the past near-decade, abetted by brothers-in-arms who know both bluster and restraint.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e \u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e\n","brand":"AEC","offers":[{"title":"Default Title","offer_id":45488779100381,"sku":"098787083033","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4325445-3134766.jpg?v=1727175625"},{"product_id":"fruit-bats-mouthfuls-colored-vinyl-green","title":"Fruit Bats- Mouthfuls (Green Vinyl)","description":"\u003cdiv class=\"pt-2\"\u003eAround the making of Mouthfuls, Fruit Bats had coalesced into a duo with Gillian Lisee and myself. It was sort of like our own mini cocaine-free version of Rumors. She wrote the bridge to 'Magic Hour,' which is totally about her. We also co-wrote 'Track Rabbits' together which is still one of my favorite things I've ever done and probably my favorite song on Mouthfuls.' 'I wrote 'When U Love Somebody' at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and still probably the most popular Fruit Bats song, I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles' 'Two of Us.' Also, I spelled 'you' with a 'U' to reference Prince. People still like dancing to this one. Pressed on Mint Color Vinyl \u0026amp; exclusive to independent record stores!\u003c\/div\u003e\n\u003cdiv class=\"pt-2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eShop online 24\/7 at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"REDEYE MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":45825653571805,"sku":"843563169582","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4378291-3270985.jpg?v=1731113594"},{"product_id":"fruit-bats-baby-man","title":"Fruit Bats- Baby Man (Vinyl)","description":"\u003cp\u003eBaby Man, the new album by Fruit Bats, is like nothing else in Grammy-nominated songwriter Eric D. Johnson's catalog. Little in the arc of his career-including Fruit Bats' evolution from home recording project to rollicking roadshow, his solo output, and his work with Bonny Light Horseman-points the way to this album, in which his only accompaniment, aside from the occasional blush of synthesizer, is a guitar, banjo, or piano. Save for producer Thom Monahan, reuniting with Johnson for the first time since Fruit Bats' 2019 breakthrough Gold Past Life, it's just Johnson in the room, meaning that when the turntable's needle meets Baby Man's groove, it's just him and the listener, mutually in for a reckoning. Monahan's return to the booth was vital: having mapped the outer limits of Eric D. Johnson's musical imagination, nobody was better equipped for the deepest trip yet into his soul. Baby Man is an intimate album, but rather than deliver a stripped-down or back-to-basics approach to the Fruit Bats sound, it's introspection is rendered at epic scale. \"It's minimalist-maximalism,\" Johnson says of his and Monahan's approach. \"There are fewer tracks on each song-four or five at most compared to recent albums where there'd maybe be five tracks on a song just for synths-but this is me at my most hi-fi.\" What he and Monahan do to striking effect on Baby Man is explore the full power and range of his voice. Pushed forward in the mix, Johnson's vocals-a showstopping element of his craft- have new purpose and depth on Baby Man, breathing life into some of the rawest songs he's ever written into being, actively finding the heart in the lyrics sometimes just hours after they'd been penned. A text sent to Monahan one morning-\"I'm just trying to write a couple more songs\"-later becomes the first line of \"Puddle Jumper,\" a finger-picked heartbreaker whose only competition for the crown of Most Emotionally Devastating Fruit Bats Song is the other eight Johnson originals on this album. \"Stuck in My Head Again\" finds Johnson pouring himself out over his guitar, his voice alternately contemplative and softly raging, straining to keep the reverie he conjures from his delicate playing from crumbling beneath the weight. It and opener \"Let You People Down\" are what Johnson refers to as the album's \"mission statements,\" songs about love and loss and disappointment, \"about how a life can get lived and wisdom can be gained, but how there's always going to be more to learn.\" It's all there in the lyrics, but what's striking is how Johnson processes them, how, in a room where the only heart laid bare is his own, he is at once self-effacing and tender. \"It's about a lot of things and it's about rebirth,\" Johnson says of title track \"Baby Man,\" which is slippery and true to the song and album, it's dark night spent contemplating his place in life bleeding into other nights where he found himself thinking about the Los Angeles wildfires, his neighbor's new dog, his own dog (about which he wrote the staggering \"Creature from the Wild\"), his songs, and songs he's always loved. Again and again, Baby Man sees Johnson ask a central question: Is any of this worth it? The album itself is the answer, a resounding \"yes\" against the pain and struggle Johnson surfaced from to record it. At times it feels as if there is no horizon on Baby Man, barely a room beyond the space Eric D. Johnson occupies. Then the intensity of this gaze is broken-by a creaking chair, by a pattern thumped against a guitar, by the gentle twinkle of a synth, by a particularly gorgeous couplet- and suddenly one is grateful just to be in that space with him. There are no Fruit Bats albums like Baby Man. None until this point have demanded this kind of attention. It's a linchpin in Johnson's career, one that not only opens Fruit Bats up to a thrilling future but recontextualizes his past, arguing that he is one of his generation's great singer-songwriters and will be for some time to come\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eLet You People Down\u003c\/li\u003e\n\u003cli\u003e Two Thousand Four\u003c\/li\u003e\n\u003cli\u003e Stuck in My Head Again\u003c\/li\u003e\n\u003cli\u003e Baby Man\u003c\/li\u003e\n\u003cli\u003e Creature from the Wild\u003c\/li\u003e\n\u003cli\u003e Puddle Jumper\u003c\/li\u003e\n\u003cli\u003e First Girl I Loved\u003c\/li\u003e\n\u003cli\u003e Moon's Too Bright\u003c\/li\u003e\n\u003cli\u003e Building a Cathedral\u003c\/li\u003e\n\u003cli\u003e Year of the Crow\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e UPC \u0026gt; 673855087719 \u003c\/p\u003e\n\u003cp\u003e Format \u0026gt; New Vinyl \u003c\/p\u003e\n\u003cp\u003e Label \u0026gt; Merge Records \u003c\/p\u003e\n\u003cp\u003e Release Date \u0026gt; Release Date: 9.12.25 \u003c\/p\u003e\n\n\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":46525195911389,"sku":"673855087719","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4439702-3412126.jpg?v=1750969573"},{"product_id":"fruit-bats-baby-man-1","title":"Fruit Bats- Baby Man (CD)","description":"\u003cp\u003eBaby Man, the new album by Fruit Bats, is like nothing else in Grammy-nominated songwriter Eric D. Johnson's catalog. Little in the arc of his career-including Fruit Bats' evolution from home recording project to rollicking roadshow, his solo output, and his work with Bonny Light Horseman-points the way to this album, in which his only accompaniment, aside from the occasional blush of synthesizer, is a guitar, banjo, or piano. Save for producer Thom Monahan, reuniting with Johnson for the first time since Fruit Bats' 2019 breakthrough Gold Past Life, it's just Johnson in the room, meaning that when the turntable's needle meets Baby Man's groove, it's just him and the listener, mutually in for a reckoning. Monahan's return to the booth was vital: having mapped the outer limits of Eric D. Johnson's musical imagination, nobody was better equipped for the deepest trip yet into his soul. Baby Man is an intimate album, but rather than deliver a stripped-down or back-to-basics approach to the Fruit Bats sound, it's introspection is rendered at epic scale. \"It's minimalist-maximalism,\" Johnson says of his and Monahan's approach. \"There are fewer tracks on each song-four or five at most compared to recent albums where there'd maybe be five tracks on a song just for synths-but this is me at my most hi-fi.\" What he and Monahan do to striking effect on Baby Man is explore the full power and range of his voice. Pushed forward in the mix, Johnson's vocals-a showstopping element of his craft- have new purpose and depth on Baby Man, breathing life into some of the rawest songs he's ever written into being, actively finding the heart in the lyrics sometimes just hours after they'd been penned. A text sent to Monahan one morning-\"I'm just trying to write a couple more songs\"-later becomes the first line of \"Puddle Jumper,\" a finger-picked heartbreaker whose only competition for the crown of Most Emotionally Devastating Fruit Bats Song is the other eight Johnson originals on this album. \"Stuck in My Head Again\" finds Johnson pouring himself out over his guitar, his voice alternately contemplative and softly raging, straining to keep the reverie he conjures from his delicate playing from crumbling beneath the weight. It and opener \"Let You People Down\" are what Johnson refers to as the album's \"mission statements,\" songs about love and loss and disappointment, \"about how a life can get lived and wisdom can be gained, but how there's always going to be more to learn.\" It's all there in the lyrics, but what's striking is how Johnson processes them, how, in a room where the only heart laid bare is his own, he is at once self-effacing and tender. \"It's about a lot of things and it's about rebirth,\" Johnson says of title track \"Baby Man,\" which is slippery and true to the song and album, it's dark night spent contemplating his place in life bleeding into other nights where he found himself thinking about the Los Angeles wildfires, his neighbor's new dog, his own dog (about which he wrote the staggering \"Creature from the Wild\"), his songs, and songs he's always loved. Again and again, Baby Man sees Johnson ask a central question: Is any of this worth it? The album itself is the answer, a resounding \"yes\" against the pain and struggle Johnson surfaced from to record it. At times it feels as if there is no horizon on Baby Man, barely a room beyond the space Eric D. Johnson occupies. Then the intensity of this gaze is broken-by a creaking chair, by a pattern thumped against a guitar, by the gentle twinkle of a synth, by a particularly gorgeous couplet- and suddenly one is grateful just to be in that space with him. There are no Fruit Bats albums like Baby Man. None until this point have demanded this kind of attention. It's a linchpin in Johnson's career, one that not only opens Fruit Bats up to a thrilling future but recontextualizes his past, arguing that he is one of his generation's great singer-songwriters and will be for some time to come\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eLet You People Down\u003c\/li\u003e\n\u003cli\u003e Two Thousand Four\u003c\/li\u003e\n\u003cli\u003e Stuck in My Head Again\u003c\/li\u003e\n\u003cli\u003e Baby Man\u003c\/li\u003e\n\u003cli\u003e Creature from the Wild\u003c\/li\u003e\n\u003cli\u003e Puddle Jumper\u003c\/li\u003e\n\u003cli\u003e First Girl I Loved\u003c\/li\u003e\n\u003cli\u003e Moon's Too Bright\u003c\/li\u003e\n\u003cli\u003e Building a Cathedral\u003c\/li\u003e\n\u003cli\u003e Year of the Crow\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e UPC \u0026gt; 673855087726 \u003c\/p\u003e\n\u003cp\u003e Format \u0026gt; New CD \u003c\/p\u003e\n\u003cp\u003e Label \u0026gt; Merge Records \u003c\/p\u003e\n\u003cp\u003e Release Date \u0026gt; Release Date: 9.12.25 \u003c\/p\u003e\n\n\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"AEC","offers":[{"title":"Default Title","offer_id":46525342515421,"sku":"673855087726","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4439703-3412128.jpg?v=1750973706"},{"product_id":"fruit-bats-the-pet-parade-1","title":"Fruit Bats- The Pet Parade (CD)","description":"\u003cp\u003e\"The Pet Parade,\" the title track to Fruit Bats' ninth album, might be a surprising opening track for longtime fans of Eric D. Johnson's beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. At times upbeat and reassuring (\"Eagles Below Us\") and at times quietly contemplative (\"On the Avalon Stairs\"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Pet Parade\u003c\/li\u003e\n\u003cli\u003eCub Pilot\u003c\/li\u003e\n\u003cli\u003eDiscovering\u003c\/li\u003e\n\u003cli\u003eThe Balcony\u003c\/li\u003e\n\u003cli\u003eHer For Now, For You\u003c\/li\u003e\n\u003cli\u003eOn the Avalon Stairs\u003c\/li\u003e\n\u003cli\u003eEagles Below Us\u003c\/li\u003e\n\u003cli\u003eHoly Rose\u003c\/li\u003e\n\u003cli\u003eAll in One Go\u003c\/li\u003e\n\u003cli\u003eGullwing Doors\u003c\/li\u003e\n\u003cli\u003eComplete\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46983955644637,"sku":"673855075020","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3896048-2656045.jpg?v=1762926411"},{"product_id":"fruit-bats-gold-past-life-2","title":"Fruit Bats- Gold Past Life (CD)","description":"\u003cp\u003e\u003cspan\u003eGold Past Life marks both an end and a beginning for Fruit Bats. It's the end of an unintentional thematic trilogy of records that began with 2014's EDJ (a solo record by name, but a Fruit Bats release in spirit) and hit an emotional peak with 2016's Absolute Loser. They encompassed years of loss, displacement, and the persistent, low-level anxiety of the current political climate. They were written in the wake of friends who left these earthly confines and families that could have been. But these salves, these songs on Gold Past Life, also represent new beginnings-the journeys that await after making it through troubled times. Gold Past Life is about rejecting notions of idealized nostalgia (\"Gold Past Life\") and the process of grounding oneself in the present, both geographically (\"A Lingering Love,\" \"Ocean\") and spiritually (\"Drawn Away\"). With Gold Past Life, Eric Johnson of Fruit B hopes to bring more immediacy to the music and share positivity, hope, and motivation to keep on keepin' on with a wider audience.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Bottom of It\u003c\/li\u003e\n\u003cli\u003eGold Past Life\u003c\/li\u003e\n\u003cli\u003eDrawn Away\u003c\/li\u003e\n\u003cli\u003eCazadera\u003c\/li\u003e\n\u003cli\u003eOcean\u003c\/li\u003e\n\u003cli\u003eYour Dead Grandfather\u003c\/li\u003e\n\u003cli\u003eA Lingering Love\u003c\/li\u003e\n\u003cli\u003eBarely Living Room\u003c\/li\u003e\n\u003cli\u003eMandy from Mohawk (Wherever You May Be)\u003c\/li\u003e\n\u003cli\u003eDream Would Breathe\u003c\/li\u003e\n\u003cli\u003eTwo Babies In Michigan\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986637967581,"sku":"673855067025","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3914051.jpg?v=1762931354"},{"product_id":"fruit-bats-landfill","title":"Fruit Bats- Landfill (CD)","description":"\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flatexpanse. Zipping through it on the highway, you'll see cities and towns rise up in the distance,but blink and you'll miss other man-made rejoinders to horizontal living dotting the landscape,hill after hill, built from the refuse of the past: landfills. Some of these hills make for greatsledding spots, parks, and trails. Others turn organic waste into compost. The Landfill issomething else entirely: a mountain dominating the landscape of Johnson's heart.Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D.Johnson's output has been the product of patience and fine-tuning. His songs, to borrow aphrase, are slow growers, given life on albums that encompass long stretches of time andmemory. Baby Man changed that - he disallowed himself from referring to material he'dbeen working on before laying the album down, utilizing the morning pages technique ofstream-of-consciousness, observational songwriting which flowed directly into his afternoonrecording sessions. It was both a breathtaking document of Johnson's skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.Baby Man's closeness to Johnson's heart and the close attention to his voice and instrument it'sminimalist-maximalist ethos required uncorked something in him as he wrote towards a newfull band effort. \"That session was over,\" he explains, \"but there was way more to explore. Iliked the immediacy of it, and I wanted to see how that would translate into a full-band FruitBats record.\" Within weeks, he was back in a studio, this time with his band - David Dawda(bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos(drums) - with whom Johnson has spent over a decade building Fruit Bats into one of themost in-demand live acts in indie rock. Listening to The Landfill, it's not hard to understand why:simply put, this band smokes.Producing the initial recording sessions in Washington's Bear Creek Studios, Johnson set outto capture \"the sound of this band I constantly marvel at, the feeling of being in a room withmusicians you love and trust enough to let them cook.\" They laid most of it down on thefloor - no click tracks, no comped vocals, and minimal overdubs, with frequent collaboratorThom Monahan returning to provide additional production and The Landfill's final mix. \"It'show we do things with my other band, Bonny Light Horseman, and I was curious to see howit would work with Fruit Bats,\" Johnson notes. \"It's both a very personal record, and my mostcollaborative to date.\"It's also the most live a Fruit Bats record has been since 2009's The Ruminant Band, and inparing back the number of tracks that typically layer a full-band song, the psychedelic,technicolor dreaminess of their sound is more vivid than ever. Time and space melt into thesublime as the band gels around Johnson's hazy croon on \"That Goddamn Sun,\" stretching outto accommodate him as he trips from California to North Carolina. In striking a balancebetween ecstatic romance and melancholia, \"Think Aboutcha\" occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakesthat are larger than life, while \"Perhaps We're a Storm\" charges headlong into the unknown.All of these songs - most of the songs on The Landfill, in fact - mark themselvesimmediately as some of the best in Eric D. Johnson's ever-expanding songbook, seekers andanthems alike. It's the most daunting peak he's scaled yet, musically or lyrically: aswashbuckling set of full-band jammers couldn't be more honest and open-hearted about hishopes and anxieties, his dreams and fa\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Saddest Part of the Song\u003c\/li\u003e\n\u003cli\u003eAll Wounds\u003c\/li\u003e\n\u003cli\u003eThink Aboutcha\u003c\/li\u003e\n\u003cli\u003eThat Goddamn Sun\u003c\/li\u003e\n\u003cli\u003eSilverfish in the Sink\u003c\/li\u003e\n\u003cli\u003eWild Pony Tower Moment\u003c\/li\u003e\n\u003cli\u003eFishin' for a Vision\u003c\/li\u003e\n\u003cli\u003ePerhaps We're a Storm\u003c\/li\u003e\n\u003cli\u003eHummingbird Sage\u003c\/li\u003e\n\u003cli\u003eThe Landfill\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 673855088723\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Merge Records\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47707081539805,"sku":"673855088723","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4505242-3555796.jpg?v=1774553748"},{"product_id":"fruit-bats-landfill-1","title":"Fruit Bats- Landfill (Vinyl)","description":"\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flatexpanse. Zipping through it on the highway, you'll see cities and towns rise up in the distance,but blink and you'll miss other man-made rejoinders to horizontal living dotting the landscape,hill after hill, built from the refuse of the past: landfills. Some of these hills make for greatsledding spots, parks, and trails. Others turn organic waste into compost. The Landfill issomething else entirely: a mountain dominating the landscape of Johnson's heart.Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D.Johnson's output has been the product of patience and fine-tuning. His songs, to borrow aphrase, are slow growers, given life on albums that encompass long stretches of time andmemory. Baby Man changed that - he disallowed himself from referring to material he'dbeen working on before laying the album down, utilizing the morning pages technique ofstream-of-consciousness, observational songwriting which flowed directly into his afternoonrecording sessions. It was both a breathtaking document of Johnson's skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.Baby Man's closeness to Johnson's heart and the close attention to his voice and instrument it'sminimalist-maximalist ethos required uncorked something in him as he wrote towards a newfull band effort. \"That session was over,\" he explains, \"but there was way more to explore. Iliked the immediacy of it, and I wanted to see how that would translate into a full-band FruitBats record.\" Within weeks, he was back in a studio, this time with his band - David Dawda(bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos(drums) - with whom Johnson has spent over a decade building Fruit Bats into one of themost in-demand live acts in indie rock. Listening to The Landfill, it's not hard to understand why:simply put, this band smokes.Producing the initial recording sessions in Washington's Bear Creek Studios, Johnson set outto capture \"the sound of this band I constantly marvel at, the feeling of being in a room withmusicians you love and trust enough to let them cook.\" They laid most of it down on thefloor - no click tracks, no comped vocals, and minimal overdubs, with frequent collaboratorThom Monahan returning to provide additional production and The Landfill's final mix. \"It'show we do things with my other band, Bonny Light Horseman, and I was curious to see howit would work with Fruit Bats,\" Johnson notes. \"It's both a very personal record, and my mostcollaborative to date.\"It's also the most live a Fruit Bats record has been since 2009's The Ruminant Band, and inparing back the number of tracks that typically layer a full-band song, the psychedelic,technicolor dreaminess of their sound is more vivid than ever. Time and space melt into thesublime as the band gels around Johnson's hazy croon on \"That Goddamn Sun,\" stretching outto accommodate him as he trips from California to North Carolina. In striking a balancebetween ecstatic romance and melancholia, \"Think Aboutcha\" occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakesthat are larger than life, while \"Perhaps We're a Storm\" charges headlong into the unknown.All of these songs - most of the songs on The Landfill, in fact - mark themselvesimmediately as some of the best in Eric D. Johnson's ever-expanding songbook, seekers andanthems alike. It's the most daunting peak he's scaled yet, musically or lyrically: aswashbuckling set of full-band jammers couldn't be more honest and open-hearted about hishopes and anxieties, his dreams and fa\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Saddest Part of the Song\u003c\/li\u003e\n\u003cli\u003eAll Wounds\u003c\/li\u003e\n\u003cli\u003eThink Aboutcha\u003c\/li\u003e\n\u003cli\u003eThat Goddamn Sun\u003c\/li\u003e\n\u003cli\u003eSilverfish in the Sink\u003c\/li\u003e\n\u003cli\u003eWild Pony Tower Moment\u003c\/li\u003e\n\u003cli\u003eFishin' for a Vision\u003c\/li\u003e\n\u003cli\u003ePerhaps We're a Storm\u003c\/li\u003e\n\u003cli\u003eHummingbird Sage\u003c\/li\u003e\n\u003cli\u003eThe Landfill\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 673855088716\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New Vinyl\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Merge Records\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47707082129629,"sku":"673855088716","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4505241-3555795.jpg?v=1774553748"},{"product_id":"fruit-bats-landfill-indie-exclusive-indie-exclusive","title":"Fruit Bats- Landfill [Indie Exclusive] [Indie Exclusive] (Vinyl)","description":"\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flatexpanse. Zipping through it on the highway, you'll see cities and towns rise up in the distance,but blink and you'll miss other man-made rejoinders to horizontal living dotting the landscape,hill after hill, built from the refuse of the past: landfills. Some of these hills make for greatsledding spots, parks, and trails. Others turn organic waste into compost. The Landfill issomething else entirely: a mountain dominating the landscape of Johnson's heart.Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D.Johnson's output has been the product of patience and fine-tuning. His songs, to borrow aphrase, are slow growers, given life on albums that encompass long stretches of time andmemory. Baby Man changed that - he disallowed himself from referring to material he'dbeen working on before laying the album down, utilizing the morning pages technique ofstream-of-consciousness, observational songwriting which flowed directly into his afternoonrecording sessions. It was both a breathtaking document of Johnson's skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.Baby Man's closeness to Johnson's heart and the close attention to his voice and instrument it'sminimalist-maximalist ethos required uncorked something in him as he wrote towards a newfull band effort. \"That session was over,\" he explains, \"but there was way more to explore. Iliked the immediacy of it, and I wanted to see how that would translate into a full-band FruitBats record.\" Within weeks, he was back in a studio, this time with his band - David Dawda(bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos(drums) - with whom Johnson has spent over a decade building Fruit Bats into one of themost in-demand live acts in indie rock. Listening to The Landfill, it's not hard to understand why:simply put, this band smokes.Producing the initial recording sessions in Washington's Bear Creek Studios, Johnson set outto capture \"the sound of this band I constantly marvel at, the feeling of being in a room withmusicians you love and trust enough to let them cook.\" They laid most of it down on thefloor - no click tracks, no comped vocals, and minimal overdubs, with frequent collaboratorThom Monahan returning to provide additional production and The Landfill's final mix. \"It'show we do things with my other band, Bonny Light Horseman, and I was curious to see howit would work with Fruit Bats,\" Johnson notes. \"It's both a very personal record, and my mostcollaborative to date.\"It's also the most live a Fruit Bats record has been since 2009's The Ruminant Band, and inparing back the number of tracks that typically layer a full-band song, the psychedelic,technicolor dreaminess of their sound is more vivid than ever. Time and space melt into thesublime as the band gels around Johnson's hazy croon on \"That Goddamn Sun,\" stretching outto accommodate him as he trips from California to North Carolina. In striking a balancebetween ecstatic romance and melancholia, \"Think Aboutcha\" occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakesthat are larger than life, while \"Perhaps We're a Storm\" charges headlong into the unknown.All of these songs - most of the songs on The Landfill, in fact - mark themselvesimmediately as some of the best in Eric D. Johnson's ever-expanding songbook, seekers andanthems alike. It's the most daunting peak he's scaled yet, musically or lyrically: aswashbuckling set of full-band jammers couldn't be more honest and open-hearted about hishopes and anxieties, his dreams and fa\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Saddest Part of the Song\u003c\/li\u003e\n\u003cli\u003eAll Wounds\u003c\/li\u003e\n\u003cli\u003eThink Aboutcha\u003c\/li\u003e\n\u003cli\u003eThat Goddamn Sun\u003c\/li\u003e\n\u003cli\u003eSilverfish in the Sink\u003c\/li\u003e\n\u003cli\u003eWild Pony Tower Moment\u003c\/li\u003e\n\u003cli\u003eFishin' for a Vision\u003c\/li\u003e\n\u003cli\u003ePerhaps We're a Storm\u003c\/li\u003e\n\u003cli\u003eHummingbird Sage\u003c\/li\u003e\n\u003cli\u003eThe Landfill\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 673855088709\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New Vinyl\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Merge Records\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47707082195165,"sku":"673855088709","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4505243-3555794.jpg?v=1774553748"}],"url":"https:\/\/shop.darksiderecords.com\/ko-kr\/collections\/fruit-bats.oembed","provider":"Darkside Records","version":"1.0","type":"link"}