{"product_id":"brahms-brahms-1","title":"Brahms- Brahms 1 (CD)","description":"\u003cp\u003eDuring the fourteen years in which he worked on his First Symphony, Brahms was under a high pressure of expectation: in the shadow cast by Beethoven, he was forced to take a compositionally convincing position both with respect to the dominant father figure as well as the \"New German School.\" Moreover, he saw himself associated with friends who pressed him for a first symphony. And, finally, in the 1850s the scrupulous, hard working but at times insecure Brahms suffered setbacks in at least two attempts to form a symphony out of already extensively developed compositional material. Among all these obstacles, Beethoven's \"model\" was undoubtedly the greatest. Concerning this, the following remarks by Brahms have come down to us: he explained to his friend Carl Bargheer of Detmold: \"If one still attempts to write symphonies after Beethoven, then they have to look entirely different.\" Some ten years later, after he had already composed a first version of the opening movement of his First Symphony, he admitted to the conductor Hermann Levi: \"I will never compose a symphony! You have no idea how I feel when I always hear such a giant marching behind me\" - meaning Beethoven. Strauss' tone poem Death and Transfiguration \"is an example of a poetic idea that was retrospectively assigned. Alexander Ritter, poet-musician in Meiningen also gave the new composition the title and program: Ritter initially thought of the title \"Seraphic Fantasy\" - thus a first hint of a metaphysical program - but then decided on \"Death and Transfiguration\". But that's not all: Strauss had a poem by Ritters that existed in two versions preceded the printed score, combining music and poetry. This dedicated program came into being only after the composition had been completed - whether Strauss was creatively guided by a \"poetic idea\" remains to be seen.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 1 C Minor, Op. 68: I. Un Poco Sostenuto - Allegro (Live)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 C Minor, Op. 68: II. Andante Sostenuto (Live)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 C Minor, Op. 68: III. Un Poco Allegretto E Grazioso (Live)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 C Minor, Op. 68: IV. Adagio - Allegro Non Troppo, Ma Con Brio (Live)\u003c\/li\u003e\n\u003cli\u003eTod Und Verkl\u0026amp;auml;rung, Op. 24, Trv 158 (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 4012476569369\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Musicaphon\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46982581649629,"sku":"4012476569369","price":27000.0,"currency_code":"KRW","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3931164-2675330.jpg?v=1762923729","url":"https:\/\/shop.darksiderecords.com\/ko-kr\/products\/brahms-brahms-1","provider":"Darkside Records","version":"1.0","type":"link"}