{"product_id":"bartok-enescu-cakmur-mitropoulos-hybr","title":"Bartok \/ Enescu \/ Cakmur- Mitropoulos \u0026 (Hybr) (CD)","description":"\u003cp\u003eTowards the end of the 19th century, 'several composers were taking a new interest in folk music. Folk tunes, or imitations of them, had previously mainly been used in order to provide 'local colour' or as a way of catering to nationalist sentiments, but it was now seen as a means to revitalize art music itself, opening up for new possibilities in terms of rhythm and harmony as well as melody. At the forefront of this development was BÃ©la BartÃ³k, who also considered the use of folk elements as a tool to transcend boundaries - to achieve a 'brotherhood of peoples'. For his new recital disc, Can Ã‡akmur has devised a program which juxtaposes four composers' different responses to folk music. BartÃ³k's Piano Sonata is followed by Passacaglia, Intermezzo e Fuga with which Dimitri Mitropoulos made a clean break with earlier works in a more nationalistic vein. Next comes Ã‡akmur's compatriot, the Turkish composer Ahmed Adnan Saygun, who in 1936 accompanied BartÃ³k on a field trip in Turkey collecting music. His Piano Sonata was composed some fifty years later, however, and refers to folk music primarily on a theoretical level. Closing the disc is George Enescu's Piano Sonata No.?3 in D major, which Ã‡akmur in his own liner notes describes as 'radiating a natural affinity for the village, without sacrificing the compositional value of the work.'\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46985208070365,"sku":"7318599926308","price":29.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4080197-2822000.jpg?v=1762928836","url":"https:\/\/shop.darksiderecords.com\/ms-sg\/products\/bartok-enescu-cakmur-mitropoulos-hybr","provider":"Darkside Records","version":"1.0","type":"link"}