Earn Rewards >> Sign up & get 2% store credit back on your purchases
Free Shipping On Purchases Over $75 (US Only)
Over 30,000 LPs IN STOCK

Language

Currency

Your cart

Your cart is empty

Check out these collections

Federico Bracalente- J.S. Bach: Sonatas for Violoncello Piccolo & Fortepiano

SKU: 608917725827
Regular price ¥2,800
Unit price
per
Federico Bracalente- J.S. Bach: Sonatas for Violoncello Piccolo & Fortepiano
Federico Bracalente- J.S. Bach: Sonatas for Violoncello Piccolo & Fortepiano

This recording emerged from a quest to explore new rhetorical and poetic spaces, timbres, and dynamics, aiming to reveal the soul of J.S. Bach's splendid sonatas for viola da gamba and harpsichord. The cello piccolo, an instrument similar in size and texture to the viola da gamba, proves ideal for capturing the lyrical quality of some movements and the virtuosity of the more intricate and faster passages. The fortepiano, an English instrument beautifully restored, was chosen to emphasize the contrapuntal nature of the three trio sonatas, particularly in the continuous duetting of the right hand with the cello.

Format: New CD/Classical

Federico Bracalente- J.S. Bach: Sonatas for Violoncello Piccolo & Fortepiano

SKU: 608917725827
Regular price ¥2,800
Unit price
per

Release Date: 11.08.24

Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to ONE copy per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be canceled.

This recording emerged from a quest to explore new rhetorical and poetic spaces, timbres, and dynamics, aiming to reveal the soul of J.S. Bach's splendid sonatas for viola da gamba and harpsichord. The cello piccolo, an instrument similar in size and texture to the viola da gamba, proves ideal for capturing the lyrical quality of some movements and the virtuosity of the more intricate and faster passages. The fortepiano, an English instrument beautifully restored, was chosen to emphasize the contrapuntal nature of the three trio sonatas, particularly in the continuous duetting of the right hand with the cello.