Free Shipping On Purchases Over $75 (US Only)
Over 30,000 LPs IN STOCK
We Ship Worldwide!

Language

Currency

Your cart

Your cart is empty

Check out these collections

The Van Swietens- Beethoven: Piano Concertos Nos. 3 & 4 (PREORDER)

SKU: 8436597700771
Regular price $582.00
Unit price
per
The Van Swietens- Beethoven: Piano Concertos Nos. 3 & 4 (PREORDER)
The Van Swietens- Beethoven: Piano Concertos Nos. 3 & 4 (PREORDER)

What is lost in terms of orchestral colors is gained in clarity of texture, chamber-music like dialogue and perhaps more importantly an occasion to showcase aspects of string playing (articulation, portamento) as described by the likes of Louis Spohr, who closely worked with Beethoven. It is also the perfect medium to accompany the wonderful instruments generously put at our disposal by Robert A. Brown. Often discussed and a subject of many controversies when tackling the Baroque repertoire, the debate regarding temperament is often cut short in Classical and Early Romantic performance. We do know of Beethoven's preference for Kirnberger III, which we have used for the Fourth Concerto, whilst Young proved a better fit for the tonal discrepancies in the Third Concerto.

Format: New CD/Classical

The Van Swietens- Beethoven: Piano Concertos Nos. 3 & 4 (PREORDER)

SKU: 8436597700771
Regular price $582.00
Unit price
per

Release Date: 10.18.24

 
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to three copies per customer, per item. If you place multiple orders for multiples the same title, your subsequent orders will be cancelled.

What is lost in terms of orchestral colors is gained in clarity of texture, chamber-music like dialogue and perhaps more importantly an occasion to showcase aspects of string playing (articulation, portamento) as described by the likes of Louis Spohr, who closely worked with Beethoven. It is also the perfect medium to accompany the wonderful instruments generously put at our disposal by Robert A. Brown. Often discussed and a subject of many controversies when tackling the Baroque repertoire, the debate regarding temperament is often cut short in Classical and Early Romantic performance. We do know of Beethoven's preference for Kirnberger III, which we have used for the Fourth Concerto, whilst Young proved a better fit for the tonal discrepancies in the Third Concerto.