Cal Tjader- Huracan (180 Gram Vinyl)
SKU: 089353511326
Limited 180gm vinyl LP pressing. In 1978, Cal Tjader recorded these 6 tracks at the infamous Filmways Wally Heider recording studios in Hollywood, California. At the session was an all-star band including Gary Foster and Kurt McGettrick on saxophones, Robb Fisher on bass and Latin music legends Ponco Sanchez on congas and Willie Bobo on timbales. The recording has been unavailable for many years and now makes it's return on CD and digital. Here's what the original album notes say about the session: The sound of the group remained authentically Latin, undiminished in explosive force. This album is characterized by it's searing brass and exciting percussions. The insistent beat energized Latin dancers, while the interplay of basic jazz elements raised it above just good dance music. The major goal of this recording was to retain the essential live flavor of the music and performers. Close-miking techniques were not used on this recording. Instead, four overhead microphones plus a direct input for the bass were employed to capture the sound of eleven musicians together with the correct acoustic perspective between instruments. Listening to the playback of the recording session was a rewarding experience for all involved.
Format: New Vinyl/Jazz
Cal Tjader- Huracan (180 Gram Vinyl)
SKU: 089353511326
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Limited 180gm vinyl LP pressing. In 1978, Cal Tjader recorded these 6 tracks at the infamous Filmways Wally Heider recording studios in Hollywood, California. At the session was an all-star band including Gary Foster and Kurt McGettrick on saxophones, Robb Fisher on bass and Latin music legends Ponco Sanchez on congas and Willie Bobo on timbales. The recording has been unavailable for many years and now makes it's return on CD and digital. Here's what the original album notes say about the session: The sound of the group remained authentically Latin, undiminished in explosive force. This album is characterized by it's searing brass and exciting percussions. The insistent beat energized Latin dancers, while the interplay of basic jazz elements raised it above just good dance music. The major goal of this recording was to retain the essential live flavor of the music and performers. Close-miking techniques were not used on this recording. Instead, four overhead microphones plus a direct input for the bass were employed to capture the sound of eleven musicians together with the correct acoustic perspective between instruments. Listening to the playback of the recording session was a rewarding experience for all involved.
