Haas- Toccaten (CD)
Already in the Renaissance the toccata (from the Italian toccare - to touch) was understood to be a free-form virtuoso piece for keyboard instruments. Today, as for centuries, the toccata is for keyboard a favourite model for improvisation, and the organ toccatas on this recording radiate the spontaneous sheen of an unacademic musical joy. Rosalinde Haas: organ.This production received the quarterly German Record Critics' Award.
Tracklist:
- Die Französische Toccata: Widor, Charles-Marie: Toccata (Opus 42, NR. 5, V)
- Boëllmann, Léon: Toccata (Opus 25, IV)
- Gigout, Eugène: Toccata (Dix Pièces, NR. 4)
- Widor, Charles-Marie: Allegro (Aus Opus 70, IV)
- Duruflé, Maurice: Toccata (Opus 5, III) Die Deutsche Toccata
- Reger, Max: Toccata (Opus 80, NR. 11)
- Haas, Joseph: Toccata (Opus 15, NR. 8)
- Hindemith, Paul: Phantasie (Aus Sonate I FÜR Orgel)
- Fortner, Wolfgang: Toccata Und Fuge 1
- Kraft, Walter: Toccata 'Ite, Missa Est' 1
- Henze, Hans Werner: Toccata Senza Fuga Per Organo
Already in the Renaissance the toccata (from the Italian toccare - to touch) was understood to be a free-form virtuoso piece for keyboard instruments. Today, as for centuries, the toccata is for keyboard a favourite model for improvisation, and the organ toccatas on this recording radiate the spontaneous sheen of an unacademic musical joy. Rosalinde Haas: organ.This production received the quarterly German Record Critics' Award.
Tracklist:
- Die Französische Toccata: Widor, Charles-Marie: Toccata (Opus 42, NR. 5, V)
- Boëllmann, Léon: Toccata (Opus 25, IV)
- Gigout, Eugène: Toccata (Dix Pièces, NR. 4)
- Widor, Charles-Marie: Allegro (Aus Opus 70, IV)
- Duruflé, Maurice: Toccata (Opus 5, III) Die Deutsche Toccata
- Reger, Max: Toccata (Opus 80, NR. 11)
- Haas, Joseph: Toccata (Opus 15, NR. 8)
- Hindemith, Paul: Phantasie (Aus Sonate I FÜR Orgel)
- Fortner, Wolfgang: Toccata Und Fuge 1
- Kraft, Walter: Toccata 'Ite, Missa Est' 1
- Henze, Hans Werner: Toccata Senza Fuga Per Organo