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J Bach .S. / Feuersinger / Berndt- Vision Bach, Vol. 3 (CD)

SKU: 881488230277
Regular price $32.99
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per
the album cover for J Bach .S. / Feuersinger / Berndt - Vision Bach, Vol. 3
the album cover for J Bach .S. / Feuersinger / Berndt - Vision Bach, Vol. 3

JOHANN SEBASTIAN BACH: THE FIRST CANTATA YEAR. 2 CDs / Vol. 3. BWV 105, 46, 179, 199. 3, 69. 1, 77, 25, 119. GAECHINGER CANTOREY // HANS-CHRISTOPH RADEMANN- This is the third in a series of ten double CDs releases forming the year-long VISION. BACH project marking the 300th anniversary of Johann Sebastian Bach's taking up the post of Thomaskantor in Leipzig in May 1723. The aim is to perform all 62 cantatas from Bach's first year in Leipzig, in chronological order. Rademann conducts with feeling and tries to make the sound round and harmonious. The musicians of the Gaechinger Cantorei play excellently and show that historically informed performance practice and romantic music-making are not necessarily mutually exclusive. It is the result that counts. " pizzicato

Format: New CD/Classical

J Bach .S. / Feuersinger / Berndt- Vision Bach, Vol. 3 (CD)

SKU: 881488230277
Regular price $32.99
Unit price
per

Release Date: 06.07.2024

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

JOHANN SEBASTIAN BACH: THE FIRST CANTATA YEAR. 2 CDs / Vol. 3. BWV 105, 46, 179, 199. 3, 69. 1, 77, 25, 119. GAECHINGER CANTOREY // HANS-CHRISTOPH RADEMANN- This is the third in a series of ten double CDs releases forming the year-long VISION. BACH project marking the 300th anniversary of Johann Sebastian Bach's taking up the post of Thomaskantor in Leipzig in May 1723. The aim is to perform all 62 cantatas from Bach's first year in Leipzig, in chronological order. Rademann conducts with feeling and tries to make the sound round and harmonious. The musicians of the Gaechinger Cantorei play excellently and show that historically informed performance practice and romantic music-making are not necessarily mutually exclusive. It is the result that counts. " pizzicato