Phelimuncasi & Metal Preyers- Izigqinamba
Release Date: 5.10.24
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In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add the option featured below to your cart.
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Jesse Hackett returns with another unclassifiable co-mingling of genres, this time made in collaboration with Durban-based gqom trio Phelimuncasi. The group met up in Nyege Nyege's Kampala studio last year, spending three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time stretched electronic drums, saturated noise and unstable synths. We last heard from Hackett on last year's chilling 'Shadow Swamps', a chilly, surrealist blast of disembodied folk folk and vintage electronics that added a cinematic twist to industrial music. Phelimuncasi meanwhile followed their acclaimed debut with the enormous 'Ama Gogela', asserting their dominance with tight, dancefloor-fwd, hook-led jams produced by some of the scene's most important beatmakers. In collaboration, both Metal Preyers and Phelimuncasi materialized a few worlds outside their comfort zones, with the Durban trio's words frothing from Hackett's marshy productions like echoes from another universe. Opening track 'Gidigidi ka Makhelwane' erupts in a fizz of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Hackett's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres. Elsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Hackett, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.
Track List
- Gidigidi Ka Makhelwane
- Ayi Ayi We Crazy
- Gqom Slowgen Chant
- Mgiligi Wabaleka
- Ngicela Siqoze
- Coffin Roller
- Khala Ngiyabaleka
- Like a Corpse
- Last Flutter
Shipping Recommendations
In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add this option to your cart at checkout.
Unfortunately we can not offer refunds or replacements based for items that have been seam split in the shipping process. The best way to defend against this happening is to allow us to open your record ahead of time and place it inside of a free protective poly sleeve.
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Open My Records To Avoid Seam Splitting During Shipping
In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add this product to your cart.
We will place your jacket and record inside a FREE protective poly.
How We Ship
We take great pride in our packaging and have spent years honing it so that it is not only 100% recyclable materials, but also protects your records from the woes of being tossed from truck to truck during the shipping process.